No use for attenuaters and attenuverters? That made me laugh.

As far as sequencers. I like the 1010 Music Toolbox. But right now the firmware is trying to their BlackBox and isn't quite ready for prime-time in my opinion. I have a Toolbox. I like it, but it's not quite "there" at the moment. But the architecture is pretty nice and flexible.

I would look into a Westlicht Performer. You can find them for around $300US and it's the "Eloquencer Killer." Not sure if that's true but I've considered getting one for the workflow.


How are you planning on sending note information to this rig? I see no form of note sequencer or MIDI in.

The Maths can be used as a modulation source. But I don't think it's a substitute for a true LFO or CV generator.

The Intellijel Quad VCA will do for now as a mixer. But I would suggest a dedicated mixer to free up the VCAs to do their intended jobs.

As Garfield pointed out, if you're using Intellijel 1U modules, you'll need an Intellijel case with a 1U row. Note... only Intellijel compatible 1U modules will fit in it. You can't use the Pulp Logic style "tiles" in it.

I would not buy this set-up. You won't get anywhere useful with it. You need a greater understanding of modular, especially utilities and sequencing hardware. I always suggest VCV Rack (it's free) and is a great learning tool for that reason. If you can make patches that you like in VCV Rack, then you probably have enough understanding of Eurorack to put together your first real-world case.


Thread: Korg ms20

The Behringer clone, the K-2, also works on the old MS-20 standard. So if you're buying a new retro module, you'll want to get a conversion module/box for it too.


Had a very good trading experience buying with @Wissen buying a Verbos Scan&Pan.


Had a very good experience buying 2 Doepfer modules from @jandybala


I am currently successfully experimenting with very small solar panels that when linked to my system create control voltages dependent on the amount of light hitting them. These panels seem to work fine but am I risking my gear ? I guess I should have asked this question earlier, here are the details of the type of solar panels I am using-

"Seeed Studio Solar Panel
The Seeed studio 0.5W is a monocrystalline silicon solar panel. This solar panel performs a higher conversion rate that up to 17% as compared to polycrystalline silicon solar panel and thin-film solar panel. This kit has a length of 70mm, a width of 55mm and a height of 3mm. It can be used for power supply.

Features and Benefits
• Maximum load voltage 6.4V
• Open circuit voltage 8.2V
• Typical current 100mA
• Typical voltage 5.5V"

Thanks for any input!


Thank you Garfield!
I'm thinking about buying a 6U * 94hp case and keeping this 9U*56hp for future modules.
I've decided that I'll buy a module at a time so I can learn what and how many functions/envelopes/mixers/vcas I'll need!
You and Lugia have been very helpful.
Also, I'll appreciate If anyone has any tips for racks aimed at this particular type of music.


Hi Wishbonebrewery,

Wow, for such a small setup, that's pretty nice! I want to hear more :-)

Kind regards, Garfield Modular.


Hi Davidaellis,

I don't own both of those Arturia items but had a quick look at it, it looks like this should work. As long as the module you buy is compatible (i.e. Eurorack) with your Rackbrute then you should be fine.

Have fun and kind regards, Garfield Modular.


Hi Synthy-Synthesizing,

Ha, ha, you are using an Doepfer A-100 case with 1U strips, does it exist? :-) Would be nice if they really do but I doubt it a bit. An Intellijel 7U * 104 HP might be a nice choice instead? That gives you a bit space to extend in the (near) future as well.

Without knowing what you have externally (any other stuff other than this rack or is "this it")? If you don't have any external gear then this looks a "bit" too less to me. If you have already some (external) stuff then perhaps good to mention.

Generally you need to look at least at some oscillators, LFOs, envelopes and don't forget filters, VCAs, audio input/output module, perhaps a small mixer, at least one sequencer to start with and perhaps some other stuff, it really depends on what you want and need. In your shown rack I see a few components but it doesn't look complete to me.

Good luck with the planning and kind regards, Garfield Modular.


Thread: Korg ms20

Hi Wubifi,

If I am not mistaken this Eurorack module of ReBach might help you out:

https://www.modulargrid.net/e/rebach-catch-stv

Of course there might be other modules too that can help you out, just couldn't find them that quickly. Searching here at ModularGrid under the modules might help you out.

Kind regards, Garfield Modular.

Edit: typo correction.


Hey Joe,

I totally agree here with Lugia that your case is far too small. A US $ 4k limit isn't too bad, so just use a bit more of that budget for a bigger case, for example the Intellijel 7U * 104 HP is a nice one or even the Pittsburgh EP-420 is good to give you enough "future space". My advice is intially to reduce your budget to 3k, after minus out that bigger case, you should still have left 2k+ for the most important modules to start with. Get started with that (i.e. 3k) and build-up some experience with Eurorack.

Then after a learning & experience phase, you still have 1k left to add some modules that you might then realise you really need after you got some experience. At that point you will thank me on your knees (just joking) that you got yourself a bigger case and kept that 1k in your pocket initially ;-)

Don't believe though that you can stick with that 4k forever, if you really like Eurorack you will have thoughts of selling your house, partner, whatsoever to get it extended with a few more modules ;-) And at that stage again you will be happy you got yourself a bigger case so you still have space left to do so.

Good luck with the planning and kind regards, Garfield Modular.


Hi Antti,

Oh yes, that extra row does it, gives you a bit more space to plan this a bit better and looks like you got about 44 HP space left if I calculated it correctly. Not much but if you think that's sufficient for the future then you should be fine.

Just still missing that audio input/output module, I see you have added now the Doepfer A-119 for audio input, but where is your audio output? Or did I overlooked it? Don't assume that you Doepfer A-138o is sufficient, that's just the output of the mixer but still at "Eurorack level voltages" which might be a "bit" too high for your possible input of the Octatrack or of your possible external mixer. So therefore you need an audio output module.

Therefore my suggestion to simplify this a bit, take out the A-119 and instead take a module that can do both, i.e. audio input and audio output parallel at the same time, for example Intellijel Audio I/O is such module and doesn't use up too much space. The Doepfer A-119 is 8 HP, that Audio I/O from Intellijel is 10 HP, so you just need 2 HP more. Of course you can take any other kind of audio input/output module, it mustn't be the Intellijel one.

I am just mentioning it because I got it myself, quite happy with it, the only thing I am missing on it is the headphones output but since you got your Octatrack and most probably do everything on that one, you got your headphones there; therefore not having the headphones within the Eurorack might be fine for you.

You are almost there :-) Good luck and kind regards, Garfield.


Thread: Korg ms20

Actually, Korg and Yamaha did use a gate/trigger system that was compatible with Moog, since they also used a negative-going trigger.

The following are non-standard synth manufacturers and models, plus why:

Moog (thru Micromoog), Yamaha (CS-series monosynths), Korg (everything up thru the MS-series), Crumar (some): negative triggering
Yamaha, Korg (both same as above): Hz/V scaling
EML: 1.2 V/8va scaling
Buchla: no actual scaling standard (100 series)

...and of course, faithful copies retain these traits. The Korg and Behringer reissues of the MS-20 behave the same as the original, and the EMW 200/300 both use EML's old 1/10th volt scaling.


Hi everybody!

So I just started my system one month ago with a selection of modules which you can see here:
ModularGrid Rack

I plan to use it with my Octatrack as a sequencer and effects processor so i can focus on a full two voices synth on the modular. The A-190-4 will be replaced by a Mutant Brain for that. I try to make hypnotic like techno with inspiration from Prince of Denmark, Daniel Avery, Benjamin Damage and others. My goal is to have a powerful one voice synth I can use in the studio for sound design and recording stuff with the Octa, and being able to use it as two simpler voices when playing live, with all drum sounds handled by the Octatrack. The sequencer on this machine is super powerful with arps, polyrhythms, sequences combining, probability, Velocity and you can even use LFO on all this, so I don't think I will a modular sequencer.

At this point, I think I want to add a second oscillator to the setup, maybe one or two modifiers like a LPG and/or a wavefolder, utilities like a mult, some attenuverters, a mixer, maybe a logic module, a quantizer and maybe another modulator but I'm not sure I need one as I find Stages super powerful already.

I was thinking:
-LxD
-STO
-Disting to cover the utility needs (Menu diving doesn't seem fun but bank 1 seems to be packed with so many useful functions I feel I'd be shooting myself in the foot not adding it)
-Shades or 3x MIA or O/A/x2 as a mixer/attenuverter

What do you think of these choices? Do I absolutely need a wavefolder or can I live without a dedicated module? Do I need this extra mixer/attenuverter? Is LxD a sufficient low pass gate? Should I keep the a-106-5? Would you buy another VCO? Would you add another modulator to the setup?

Also, if I do all this I am left with 4hp in my current system, what would be a useful 4hp addition to this? A clock divider? Sequencial Switch? Ring modulator?

ModularGrid Rack


Thread: Korg ms20

There are converters that you can get too. But it is just important to be aware of the different voltages on some systems like the MS-20 when connecting with most of e EuroRack modules. Also, I think the MS-20 uses a different triggering standard as well. Korg and Yamaha were famous for nit using the voltages and triggers that Moog, ARP and Oberheim were using.


Thank you very much for the long reply! Helped me clarify some stuff.
About the Verbos, I really don't want to take it out, since it has exactly the sound that I was looking for. But I am thinking about changing my case, so I am arranging the modules in 2 x 94 disposition (gave it extra 20hp). I can't go too big since I have a $ 4k limit to spend on this.
Following your advice, I took out Mobenthy and put a Nano Rand.
I've figured toolbox' last firmware gave it assignable LFOs, so it's pretty versatile, I studied this comparative https://doudoroff.com/sequencers/ and it seems that there's no other sequencer that does that amount of stuff with that low hp.
Assuming that I would do everything in the box what and how many functions and VCAs would you recommend? I'm ok with changing Basimilus, Plaits, Maths, Skipmin, Pico VCF. Mimeophon and Geiger Counter are musts.


Thread: Korg ms20

Thank you didn’t even know that Korg Ms20 worked on a different voltage scale


I see impending problems here...for one thing, this build is way too small to support having something huge like the Verbos Complex Oscillator in it. You're occupying far too much space for a relatively simple function with that module and even though you already have it, you might consider other complex VCO options that make more sense, space-wise. I could probably say the same thing about the Toolbox, too; you'd probably be better off with an outboard sequencer for something this small, or with some Expert Sleepers hardware that can be addressed by a computer. Next...and I sound like a frickin' parrot about this, but hey...VCAs. You have some VCA control via the X-Pan, but this is primarily an audio device. As for VCAs for modulation and CVs, there's zero available. This is also probably why you're not seeing the point of having attenuverters in the system...aside of also not having much in the way of conventional envelopes, which are something that often gets fed thru attenuverters for manual level control and inversion (very important thing to have for interesting envelope tricks).

Then there's the Mobenthy module...basically, if you don't know what something does, you should find out before letting it eat up 8 hp. Seriously...this is a VERY SMALL cab, and wasting space on a whim is extremely ill-advised.

Ultimately, you've tasked a very small rig with doing some rather complex functions, but then loaded it with several modules that eat up so much space that the "boring" modules you need are being squeezed out. My advice would be to chuck this 3 x 56 cab, for starters...for one thing, you have the same panel space as a more typical 2 x 84 here, but because it's broken up so strangely, you have none of the advantages of the 84 hp rows and dropping just ONE large module in is enough to wreck the architecture of the synth in general. Go with something more conventional and larger if you're trying to get this to sequence, and do bass lines, and do percussion, and and and...otherwise, you're building a money pit here.

Then, having done this, look at the functions here and figure out how to make the modules that do them smaller. As you shrink those, space then opens for the other, necessary modules that make these snazzy ones capable of doing all the amazing things they can. Otherwise, the other gameplan here would be to stay in this case and replicate all of the functions with 4 hp and smaller modules in order to get the operational profile you want to happen...but then that leads to an unwieldy control surface that's a tangle of patchcables and thickets of knobs.


Hey!
I'm building a performance based rack for EBM and industrial techno. I never had a Eurorack, but have a good experience with Reaktor, semi-modular and digital/analog hard synths, so my main concern is about function generators and VCAs/Mixers, since I already know which type of sound I want from the oscillators and FXs.

Currently I got a custom 9u, 56hp case with the Verbos Complex Oscillator + Optomix (which I'll be using for bass duties) and Maths. The plan is using a micro Plaits for percs/simple leads and Basimilus + a noise source for all drum sounds.

Garfield Modular and Lugia recommended me to get a bigger case and I'm following their advice. I'll be getting a 6u*94hp case and letting my current one for future modules, so I got plenty room for modules (about 356hp).

I'm planning to buy a module at a time so I can adapt to my function/envelope/vca needs.

What type of sequencer would you recommend for this specific genre of music?
I don't see myself having much use of the attenuvertes, should I sell my Maths and get a Quad LFO such as Intellijel Quadra or Zadar?
Are there any other oscillators I should be looking at?

Please remember that this is aimed at very dynamic performances at clubs.

(it seems the rack picture isn't updated, please click on the rack to see the actual version)

ModularGrid Rack

Thank you!

Joe


ModularGrid Rack

This is where I’m at atm. So I grabbed another small case dirt cheap (bottom row, the blind modules are just to note it’s only 68hp)... The Erica Synths will be swapped to the Batumi at some point and there are some modules I still haven’t bought but I’m getting there! Edges was actually the first module I bought in the spring, although I’m not sure if it’ll go into the rack in the end.


My favourite filter. I searched and searched for it. The filters are digitally controlled and you get the sense of a work in progress.

The filters really shine when resonance is turned up and the cut off lower. Because of the style of filter it is digitally controlled and between cutoffa u can hear some aliasing.

It is exceptional for percussiona and techno / aphex twin like sounds.

A truly excellent character filter I plan on keeping in my case for a long time.


My favourite filter. I searched and searched for it. The filters are digitally controlled and you get the sense of a work in progress.

The filters really shine when resonance is turned up and the cut off lower. Because of the style of filter it is digitally controlled and between cutoffa u can hear some aliasing.

It is exceptional for percussiona and techno / aphex twin like sounds.

A truly excellent character filter I plan on keeping in my case for a long time.


I'm new to Eurorack and decided to build a rack here on MoularGrid.
ModularGrid Rack

I was looking for advice on this; is there anything missing/needs to be removed?
I want this rack to be able to do a wide variety of things, but I wanted to keep it simple.

I haven't bought anything yet; I'm just testing the waters on whats a good idea and whats not. Any advice will be appreciated!


Thanks for the advice on here, i kind of forged my own path too with a bit of a vision.
Using this rack: (MI Links just ordered so not actually in the rack yet)
ModularGrid Rack (I've not posted the screenshot as it showing a totally mixed up to what it looks like in reality.
I made this:
Youtube


Ive got a Arturia MiniBrute2 + Rackbrute 6u. If i buy a reverb module, is it possible to patch this into the MiniBrute2 so it will process the audio and return it back to MiniBrute2?

Similarly, if I am controlling and mixing in an external oscillator with the MiniBrute2, how can I then patch in an effect module?

Ta.


Thread: Korg ms20

To start with, this: https://www.modulargrid.net/e/the-harvestman-english-tear or something similar. Otherwise you're going to be driven insane by all of the mistracking, reverse triggering, etc. Neither the Korg MS series (original or the MS-20 Mini reissue...and, rather tellingly, Behringer's MS-clone) or Yamaha's vintage CS monosynths are set up for 1V/8va tracking or positive trigger/gates.


Thread: Korg ms20

I am looking to buy a KORG ms20 and was wondering what external modules to pair with it. I want to give the ms20 more texture and just overall effects. I am open to any suggestions.


Recently had good experiences selling modules to @mullum and @trismegistas


Sounds wise! I will definitely tryout more and build my way in. Appreciate!


Hi Schwuah,

He, he, you got yourself quite some Intellijel stuff in that rack ;-) If this is what you want :-)

Some little feedback: You got yourself quite a few interesting and fancy modules, though I feel you could have one more oscillator and one more LFO and perhaps you should consider an ADSR module too. Quad AD is nice but sometimes it's good to have a ful ADSR too.

Or, and that would be my next piece of advice, keep it as it is, still add a bit more of oscillators, LFOs and envelopes and put that in a 7U * 104 HP unit (instead of 84 HP). Gives you just that extra space. Because with the 84 HP planning, you have no space left at all for any (near) future extension and you will be forced to buy an additional case, so why not going directly for the 104 HP case?

Last one, do you really need two pieces of those 1U - Quad Annuators modules? Personally, I would be happy with one of them and have some space left for one or two other interesting 1U modules.

First I had to get used to your rack (because of all the Intellijel stuff) but I actually like it, just do yourself a favour and get the 104 HP case then you are ready for the future too!

Kind regards, Garfield Modular.


Well, there's nothing wrong with any of the modules that you've picked out. But for the few that you've picked out, your results aren't going to be that great.

My suggestion would be to learn a bit more about Eurorack so you can plan a rack that has some capabilities and can give you some value for the money that you're spending. You'll have to spend more as the first $1000 to $2000 into Eurorack doesn't get you very far.

If you haven't already, try VCV Rack. It's a free Eurorack simulator for your Mac/PC. Learn a bit more then put together a more robust design.


I thought it would be a simple synth phrase machine( through those patterns ) but I’m open to anything....I’m willing to swap the nerdseq with a powerful arpeggiator ( if you can come up with an idea).

It’s my first rack, so I thought it should be relatively simple but also sequencing for a bit more fun.

I’m open to suggestions in that regard.
Thx


My plan so far for an all-Intellijel 7u (84hpx2) case.

Emphasizing FM and sequencing. Mixup can be directly coupled to the 7u case's 1/4", hence the lack of 1u audio connections.

Tips are welcome.


All valid points, as i expected they would be. The resulting conclusion - meaning buying a bunch more modules from other manufacturers, no matter the color, which I get is how it is supposed to be done, is a deflating outcome making modular even less enthusiastic for me.

Obviously, the proper way to build a modular rig is to take the best or most suitable module from all available modules and combine them in whatever finish they have. I mean, it is the entire point of modular. Had I started from scratch, I would have not abided by color scheme at all. But once I bought the black & Gold system from the estate; First, I thought that would be it on all modular purchases; that it was its own instrument, self-contained and would surely be enough with my Grandmother (hate that name), Mother 32, DFAM, 0-Coast, System 1-m, Arturia MiniBrute & Microbrute flanking it on all sides; Second, I got boxed in with a black & gold color scheme and my OCD wanted it all to match.

Make Noise even taps into that evil OCD by making me have to prove that I had a black & gold to even be able to buy the upraded modules in black when I angrily discovered Make Noise retained the exact same names for modules that were significantly changed in hardware and were not able to be updated by firmware. Since I was not original owner and didn’t have a receipt, I had to provide a ransom photo, so they were milking that black is limited thing. It cost another $3k on the upgrade skiff to get the new versions.

The last and final 4rth row skiff is on track to beat that, of which I've got modules ordered and arriving soon, including an external custom mount Euclidean Circles kit, all quite pricey, that now may just stay in the box. I only started the 4th skiff to pick up some new module releases and wanting to add percussion in the system because coming from the DJ world, if there’s no beat, it’s not a song. It’s movie soundtrack ambience at best. I mean, if that’s all it can ever do. But, then I discovered gating and clock modulation for percussion was a big factor. It wasn't so easy as adding in 2hp drum modules. You have to trigger them with offbeat, synchopation, rhtyhms, etc. I probably should have just used any of my other drum machines. I have all the Volcas and boutiques for Roland drums as well as big boy ones like Tempest and TR-8s and Drumbrutes.

I can see why now you maybe wanted effects processing down low where hands may be required twiddling knobs. My thinking was voices would be the top two rows, for the most part. Mimeophon can turn into a Karplus-strong voice – a sound I am quite fond of. Telharmonic supposedly can do some pretty voicing with chords. So those first two are technically synth voices, but as I planned on doing my mixing off-rack in two separate line racks, the main one located just above the top row, I was trying to get my effects processing (usually last in the chain) next to my mixer outs so that they could just pop into the external line rack mixer.

My second row was to be almost all Voice, which even MATHS can turn into oscillator in audible rates. I’m used to my filter being next to my Oscillator, which is why Q-Pas sat inbetween DPO and MATHS and I knew MATHS would get heavy use, so I wanted it kind of centrally located.

For the most part, I figured the third row should be all the rhythm, sequencing and clock gear. It would be close enough to the bottom that I could reach it for manipulation of more on-the-fly play, but I never intend to play it as a live rig. It’s not going anywhere. I’m not anywhere close to being able to play live. I just wanted a bit more “demo wow” factor for friends who come in a see this huge crazy thing they haven’t seen before. So, far, it’s not be great for displaying anything but chaotic or buzzy sounds, but I’ve been in theory mode, not play mode. I’m watching videos non-stop.

Of course Pressure Points just demands bottom placement where hands-on is very likely. But I also figured both of the tape-delay “gene” modules, where you can very granular with dicing up samples, likely required a lot of hands-on play, even though these two are technically voices.

For that matter, Wogglebug, probably known more for randomization clocking, can be ran into audio rates and become a voice rather than a clock. But as it has clock features, I kept it near Tempi. Now Tempi, Disting MK4 and Rene 2 are all shared bus select state modules, so to save patch cables, those had to be on same power bus, i.e. same skiff.

I was definitely worried about EG limitations. Having only one MATHS is just not enough if it has to pull EG duty. So, I totally get the quad looping EG Zadar inclusions (which does come in black). It was unlikely EG function from my semi-modulars could be used to salvage this apparent shortfall.

I’m surprised the BIA got canned as that seems to be a live rig staple. I just bought BIA & MI and they were very expensive. I probably shouldn’t have bought Numeric Repitetor, but I hadn’t known of the far better looking and more featured Via logic Sequencer Rhythm Engine you added. That one looks like a far better add, so maybe I clip NR rhythm out of mine.

I was familiar with Delphonic. Seems they are a kit outfit though. Not sure I am at the DIY module making skill level yet. Some reviewer said the drums were good for confined space, but not the best sound and I think that comment hung in my head, plus it was silver. I figured somewhere there had to be black faced module selection that would work.

So, I guess the solution set provided where I need to source and possibly build several modules from kits myself proves so substantial an effort, particularly after the hours I have put into trying to make this system work for me, that maybe the decision is to part it all out, sell it and take the loss and just move on. I may not even turn it on again. I’m kind of done with it after seeing all the changes I’d need.

I guess goodbye to modular for me. Christmas is coming around. I’ll turn it on one last time for a makeshift tree.

KJ


What are you hoping to accomplish with this build? Will it work? Yes. But it's an expensive solution for meager results.


Anything you'd change in 2hp? Nerdseq and Plaits needs to stay in
https://cdn.modulargrid.net/img/racks/modulargrid_1011375.jpg


Yes please


Thread: Change Log

no more anonymous rack views

The URL https://www.modulargrid.net/x/racks/view/ pointed to the last rack you had edited.
Users posted that link in the forum to show their rack which was confusing because it always shows the active rack of the current logged in user.

Now https://www.modulargrid.net/x/racks/view/ always redirects to the rack view with valid id, e.g.
www.modulargrid.net/x/racks/view/96349


Thread: Change Log

Refactored Patch index

The patch index page now looks and behaves like the rack index page.
It's fullwidth, has high-res thumbnails and a search by name function. Also loads faster.


Thread: patches

how to find a patch by keyword? is there any search engine?
-- DirkB

Yesterday there was none, now there is one :)


Yes I did get it. I’m loving the 101. Haven’t dove into the 102 just yet. BUT I must day, damn it’s fast. Way faster and easier then I could have ever imagined. So I am very much in love with it. But it is very deep and I know I’ve hardly tapped it for its full potential. But if you’re in the market for a sequencer and are looking for more complexity, I would definitely recommend the combo. :)


I follow a general rule of thumb: "up-left and down-right". Basically, control signals migrate upward on the left side, through the modulation/timing, then up to the VCOs at the top. VCO signals then go toward the right and downward; in smaller builds, the VCF is likely to be on that same "voice" row but if the space is larger, I tend to put VCFs between the VCOs and the mixing/output area at the lower right. This also should leave the VCFs and some of the VCAs in proximity to the modulation (envelopes, especially) for convenience and to keep the cable pattern somewhat sensible. The idea basically is an adaptation of the flowpath of the ARP 2600, save that modular architecture allows for considerably more flexibility in function placement than the 2600's fixed panel design.


OK...going off of the earlier PM, I went ahead and moved this over to the public forum instead. This is what you started with:

ModularGrid Rack

...and this is my final result:

ModularGrid Rack

This is a markedly different build, although it still has a lot of the existing modules. However, the original design was just unworkable and obtuse. It was missing a LOT of necessary functions (fixed), numerous utilities (also fixed), had a lot of "why?" modules (fixed), and a bad case of "sexy module syndrome". I'm not surprised that the original was that sonically unimpressive, actually. Lots of useful things...but only IF the other parts were there, which they weren't. Here's what we have:

Row 1: No. Totally reworked this so that your entire "voice" is on this row. Disting on left for various control functions. DPO replaced by the VOID complex VCO, Gravitational Waves. Telharmonium and STO replaced with Codex Modulex clones of the Braids and Plaits; in this case, you could also do two Braids or two Plaits if that seems better. Submix via Veils clone, then a Rings clone for filtering/resonance modeling. Your ring mod, btw, is now part of the VOID Gravitational Waves. The LxD follows as a stereo pair of LPGs. After this is the Morphagene, allowing it to function as a "voice source" instead of consigning it to the bottom rows where your effects processing needs to be. The QPAS is next, which lets the Morphagene feed this directly OR the Morphagene can feed into two channels of the A-138s alongside the two LPG outs, and this stereo mix can then feed into the QPAS. Similarly, you can reverse the patching of the LxD and the Rinks, which then allows you to feed the LPG "plooks" into the Rinks and have that function as a "resonant cavity" for their output.

Row 2: Also no. The original row was a hodgepodge of functions, very easy to get lost in. In this build, your "percussives" are on the left, in the form of a Delptronics LDB-2 and its expander. This drum module uses the time-tested TR-808/606-type drum sound set. Next to that, I added a Tiptop ONE for one-shot samples, then the X-PAN is used for a stereo submix for these. The rest of the row is 100% modulation: another Veils clone for VCA processing of modulation signals, the Wogglebug, then an Erica Black Modulator for an extra LFO, sample and hold, and noise. Maths follows, then a pair of expanded Xaoc Zadars, as the original really had nothing in the way of proper envelope generation. And since the Zadars can loop, this also lets them serve as user-definable LFOs in addition to envelope generation. At the end of this row is a DC-coupled triple attenuverter/mixer, allowing you to manipulate and/or mix your modulation outputs.

Row 3: I cut the original WAY back to a single Rene, plus its Tempi. This should lower the confusion factor considerably. The Euclidean Circles got added to this row, as well as a Starling GateSeq, which is an interesting logic-driven combo of normal and probabilistic sequencers. All of this is intended to feed the percussives above it, but there's ample output so that some of the timing can be routed elsewhere. Tempi/Rene next, then effects, which is where the Erbeverb and Mimeophon wound up. More about that in a bit.

Row 4: I put the Shared System utility row here. The reason will be obvious momentarily.

Row 5: The Brains/Pressure Points combo was retained. I added a much more flexible and intutive clocking system to its left, in the form of 4ms's Quad Clock Distributor and its expander. THIS is what a master clock should be for a large system such as the one you've acquired, and it's capable of outputting numerous clocks with various divisions and multiplications under CV control. Note also that since most things that can take external clocks will know what to do with a +5V pulse, this module pair can actually serve as your studio's clocking "nexus", besides handling all of the internal clocking duties imaginable. On the other side of the Pressure Points, I put in a Tiptop MISO; the intention here is to give you a CV/modulation control point located conveniently between your manual controller and your mixer so that you can route critical modulation paths through this and adjust them there, improving the control paradigm considerably. Next, I put in a stereo compressor/limiter, which should prove extremely useful on your stereo drum path. Then, a Toppobrillo Stereomix. This is a proper performance mixer, allowing CV over level, panning, and AUX send. You can manually mute on this, plus you also have a cue send which allows you to audition channels offline for changing patches or settings during a performance. This is also where the Erbeverb comes in; since it uses the same mono-in/stereo-out that the Stereomix wants to see for its AUX send/return, you can now use the Erbeverb as a global reverb...probably its best use. As for the Mimeophon, this can either be used as a thruput for another stereo bus (either from the "voice" row altogether, the Morphagene, or the percussion bus) or it can be used as a final processor for the entire stereo mix. With these co-located by the Stereomix, this also reduces the ergonomic issues required in controlling all aspects of the final mix. And the output on the Shared System tile is in between the Stereomix and the Mimeophon, making it convenient to either module.

OK, so...it's not all black now. Mmmm...well, eh. Trying to go with all of your modules as one color at the expense of functionality is a very bad idea. It would be like specifiying that you want all of the hammers in your piano redone in purple felt because...PURPLE. Ergo: expensive and pointless. Since you didn't exactly have a functional instrument with the "paint it black" approach, that was actually the very first thing I discarded from the original, primarily because it's a pointless limitation. You should be more concerned with what's behind the panel, to start with, then whether or not you can make sense of the panel as a whole so that programming and playing the instrument isn't a brain-shattering chore. Anything beyond that makes no sense.

I also worked to synergize functions here, which was another thing missing from the original build, and also something that was almost certainly contributing to the build's annoying non-usefulness. Everything is now grouped while still maintaining the up-left/down-right general flow, although it should be very easy to patch outside of that flow pattern when necessary. So...timing is down and left, audio generation is across the top, drums are immediately above the timing/sequencing, modulation sources are central and to the right, sequencing is lower and central, and output + processing is lower-right.

But a lot of the previous modules got chucked out. And rightfully so, I think; in some cases, they didn't provide "bang for the buck" and took up space that could be used in better ways. And in other cases, they were obvious culprits in the confusionality you were describing. But by doing all of that culling, THAT opened up a large amount of space that allowed me to rebuild this...with actually quite a few of the existing modules, really...with the proper additions that will actually allow the modules that remain from the original build to outperform what they were capable of in the original. So, in the long run, this makes a helluva lot more sense to me as an instrument than it did before, and it should be far more capable than its prior incarnation might've led you to believe!


Hi Cassek,

An interesting but I am afraid difficult question... I had asked that question myself as well... What's a good setup? Thus:

A) to make as efficient as possible use of the available HP-rack space
B) position the modules in such way that you have them in a logical order next to each other or at least in each other’s "neighbourhood"

If you just look at point B only and don't even take the space matter into account, that's a huge puzzle... The more modules you get the bigger the puzzle get.

Roughly I start in my modular on the left-hand side with clock modules & sequencers, then oscillators and LFO's, followed by filters, envelopes & others and VCAs & mixers and to end with the audio input/output modules at the right-hand side because for me at the right-hand side my external mixer stands next to my Eurorack ;-)

But as you mentioned already by yourself, it's a rather personal thing. You should do what works for you in the most pleasant & comfortable way. Or if you really want to improve your module-positioning: try to monitor yourself for a couple of days or weeks how you patch which modules with which ones and then see if you have a lot of (unnecessarily) long patch cables, those might be an indication that you could put a few modules closer to each other. I think the larger the setup becomes you can't completely avoid long patch cables though.

So I was struggling with that as well but I kept it roughly as above described and solved my space issue by just buying another Eurorack case. Why bothering yourself with such a difficult puzzle that every time becomes more complicated when new modules are added if you simply can solve it by getting yourself another rack to solve the HP-rack space issue? ;-) Might not always be possible, I know. I only can do that one more time and then I don't have space at all any more for the Eurorack stuff to extend but at the moment that was the nicest solution. Now I am happily adding modules without the concern of HP space (of course till a certain extend) and as long as there are not too many long patch cables, I am happy with that solution and don't stress myself too much with how to make it more efficient --> because it’s an almost impossible puzzle to solve. I think we all can use that time better to put that time into creating sounds ;-)

Not sure if this helps you but what I am trying to say is... don't stress yourself too much about this... if possible get yourself just more HP-rack space.

Also don't migrate to too many small modules because then sooner or later it's getting too congested and the patch cables are blocking too much your modules and knobs might be difficult to reach to use them comfortably.

Kind regards, Garfield Modular.


Ey up Lugia

Apologies, I've not been on here much for the past week.

Yes, I got that. I thought the befaco might be useful as mono audio mixer or as an inverter depending on the occasion.

However I thought it more as an audio mixer.

Since my last post I have been mulling over everyone's input on my dream rack and I have made quite a few changes to my ideal plan.

I've upgraded the skiff. It's bigger with an extra row. I've swapped a couple of modules, dropped a couple and added a couple.

Not sure if there are enough mults on my latest update but I hope this might be looking a lot better...

I've looked at other modules too.

Thinking about a comparator possibly. Also a sloth.. As is I have run out of knowledge/understanding to be able to tweak this anymore.

So....

Here's my latest plan:

ModularGrid Rack

This will take me a while to put together. As I've said earlier I have started but obvs funds are a major player in this game.

At the moment I am filling up one row at 104hp ( I freed up 22hp which I am going to fill with a: function, mini ornament and crime, sequential switch and logic modules. I bought some small passive mults, intellijel, which live out of this skiff to maximise space for now).

I have a smaller 60hp skiff filled up with modulation: rene, tempi and yarns + uZeus power.

In the meantime I am back to the drawing board. I am looking at different options to build my bigger skiff. Looking at vintage suitcases, cdj flight cases and old wooden carpenter's tool boxes.

However it seems my best option would prob be building my own wooden skiff from scratch. I enjoy working with wood and I am pretty capable with it so..

Hopefully this will be complete in the next few months. There's no rush really as I won't be able to buy many more modules for a while after this last run.

As per usual your thoughts will be greatly appreciated.

Thanks
A


Interesting feedback. My first attempt to post, but when I click the link, it works. I guess somehow the URL https://www.modulargrid.net/e/racks/view (which I thought the "e" for "5" was the rack flag) is triggered for my sign-in link???

It's the Make Noise Proposal skiff (missing 1U row, semi-modular but with external Circles v2 enclosure hanging around in the kitty mess area as it is a rhythm module I own off board).

I have filled the oscillator row (row 2) out with 4 2hp modules I do not yet own (Kick, Snare, HH, Play) next to Pluck and between BIA fir a very tight fit that will require use of flying bus cable off of one bus power header.
The rhythm/sequence/clock row (row 3) has 2 module additions for clock modulation I do not yet own, 4 hp M/Div dual channel and Noise Engineering Integra Solum Dual RCD.

. These were what I was leaning towards.


Twin peak mk2 can be identified by its use of green circuit boards


Twin peak mkI can be identified by its use of blue circuit boards


Hi everyone

I have been getting into modular for a year now and have fallen into the eurorack rabbit hole. Trying to claw my way back to sanity I want to get smarter about how to make smart use of the space in my system.

What modules, functions do you prefer to combine or place together? How do you organise the space in your system so that it works best in your workflow? Do you have LFOs in one corner and effects somewhere else? Or do you create islands of voices? Or something else?

I understand that this differs from one person to another. Just curious about different approaches and your thoughts about them.

Thanks for sharing your experiences