I have really liked watching folks show their rigs for their recording so I thought I'd give it a try. There's a lot going on in this patch, but there's no clocking so it's totally freeform from a timing perspective, and it's improvised after playing with the basic patch for a couple of weeks. Lesson learned on this was putting into practice Mylar's tips on practicing/rehearsing with your live rig so you can build muscle memory and not fumble around too much (although I still do quite a bit of fumbling here).
First bass sounds are sine and triangle outs from the Erica Synths Black VCO 2 through the Vult Freak and Chronoblob
The main lead is the sine of Osc A and the Final of Osc B of DPO through QPAS and Chronoblob (also running through Mordax Data for gratuitous Lissajous figures). I'm using aftertouch on the Keystep Pro to control FM on DPO for the vibrato effect.
A third voice is Rings which is fed notes from Marbles which I trained to E pentatonic minor. Marbles is triggered by the gate of the main lead as played on the keyboard, and biased for unpredictable trigger outs to Rings Strum input. Rings outs are going into Typhoon.
After I kill the initial low drone from the Black VCO I fade in a random sequence of drones. There are four voices that are faded in and out by four LFOs on Batumi running to the Quad VCA. The voices come from Disting EX, Piston Honda A and B and Plaits. Disting is running through Ripples, PH is running through dual filters on Bionic Lester and Plaits is running through Polaris. Those are all running through Mimeophon.
Everything runs through Big Sky Chorale effect direct to DAW.