This began as a metal project, and went way off into something else. I said to Markus at Noise Engineering that I was thinking of making a metal track, and he mentioned that he had made many 'blast beats'. Having no precise definition of this - but a feel for what it might sound like - I decided to simply start with the Enter Sandman riff and go from there. It's totally lost in the wild envelopes and filtering, but that's probably for the best.
The WMD C4RBN was the obvious filter due to its natural propensity for aggression, and the Basimilus was always going to wind up in the mix. The Desmodus gets a more leisurely outing this time, but it's still pretty active. The rest of the patch is really a mass of multed envelopes and LFOs sending everything to the threshold between music and noise, and beyond it.