Note that the Audio I/O module from Intellijel is discontinued. They have split it in 2, Stereo Line Out and Stereo Line In, a total of 20HP instead of the 24HP used by Audio I/O.
For example Rubadub seems to have Pam's in stock, if that's the question. ModularGrid lists a few sites to purchase modules but not all of them, so sometimes it's worth looking around some more ;-)
Now that I look a bit closely at the rack and Garfield's comments, I second his remark about an extra filter and reiterate the fact that what Pam's can offer in the realm of CV modulation sources is what I feel is missing from the proposed rack. LoL, now I almost feel like I'm selling the thing :-D
PS: foto de paella -> ahora tengo hambre :-)
Just chiming in to vouch for Pam's many uses and quality. It's much more than a clock module, it's gots euclidean patterns, stepped CV, LFO's, you name it. Clever patching of the unit (like feeding some outputs to its own CV inputs) paired with the BIA you have in your rack is guaranteed to keep you entertained for a while, I reckon. I think it deserves its place in the Top Rated and Most Popular lists.
I don't mind the menu diving so much myself as I often only use 1 or 2 channels for modulation that require me to go change settings on a regular basis. After a few hours with it, muscle memory sets in and since the menu system is well thought of, it's rather easy to navigate. But it is after all menu based, there is only one encoder so if menus are not your thing, maybe try to test the unit first if you can, or carefully watch this excellent demo by Divkid a few times:
And Garfield, it's got a BPM display too :)
Take care !
I believe most of the 1U stuff you've picked is in the 1U Intellijel format. So as long as your case is Intellijel, you're good.
However the RE Guillotine is not in the Intellijel format. It's not going to fit in an Intellijel rack.
Can I ask where you got your info about the Guillotine ? I'm interested in the module as well, precisely because I think it is an Intellijel format one. The demo version shown in the video is fitted in an Intellijel case, as are all their other 1U stuff on demo, and the only 1U module they have for sale on their website now, a 4hp blank, is advertised as Intellijel format too.
Everything else is made by Intellijel so by definition compatible, except the u3A which is made by Transient Modules, I own one and confirm it's in Intellijel format as well.
Clearly a very sad appeal for attention from a sad lonely loser... very sad!!
Sad lonely losers, the whole lot of them ?
Also, did you just make a link between blank panels and the rise of modern feudalism ? I'll printscreen this to show to the people who ask me why I don't interact with others much on the internet...
You asked for another VCO that might go well together with the Plaits (I would go for the original one, better user interface, which is important, for me at least), I think the Make Noise - STO might be a good choice. I use these two (Plaits & STO) quite often together and I am with both more than just happy, they belong to my favourite oscillators.
I will not address the whole rack (I have new modules in my rack so burning to go patch those), but since this is between parenthesis here and haven't seen it mentioned elsewhere, I want to direct your attention to the presence of many "mini" versions of modules and what it implies: it's not for everyone, and the more of them you have, the harder it can become for some people to play the system. I say "for some people" because the Erica Pico System seems to be well received but I find it very hard to operate a system comprised of only tiny modules, possible but not confortable.
I guess the point I'm trying to make is please do not dismiss that aspect as being inconsequential and think about whether or not you could be bothered by the concentrated nature of the UI in the proposed rack.
Good luck for the rest of the planning ;-)
I’m no expert since I don’t actually own one, but I’m almost certain what you described can be achieved with the Squarp Pyramid I already mentioned.
Also, the Varigate is a fantastic module but it doesn’t do what you seem to think it does. At this point, my suggestion would be to do a lot more research about existing midi sequencers you consider easy enough to purchase, reading product manuals carefully and what not, as well as reading about basic modular concepts such as gates vs CV etc, and probably also have a look at a few 1st rack advice threads on this forum which contain a ton of answers to many usual questions.
standalone random melody boxes, that could simply send a midi-signal into my Model:Samples or Cycles, but such a thing does'nt exist.
That statement is too incomplete, as it stands it sounds incorrect. What is random melodies for you ? The moment the notes are generated, the length of the notes, the pitch of the notes, the velocity, all of that combined ?
Pretty sure that between the Elektron stuff, the Pyramid and others, one could achieve a lot of randomness in MIDI sequences without requiring to use Eurorack tools. Hell, I didn't even need anything when I was trying to achieve random patterns on my Elektron machines, clever use of probability and conditional trigs did the trick, I was able to achieve never repeating patterns with little effort. Did you try that, why doesn't it work for you ?
You're going to need to explain better what you want to achieve, "random melody" is not enough, also if we are to recommend a Euro setup to achieve your goals.
Don't take this the wrong way but this rack is essentially a much less capable and more expensive version of the desktop Manther. I quickly read the product page for the desktop version and it seems it's capable of randomizing its sequences, amongst many other features that are missing from the above rack, so if your goal is 'only' to get the sound of Manther and random sequences while playing nice with the rest of your Elektron-based setup, I'd say the desktop version would be better suited for that rather than getting a small rack like the one above. Maybe the Elektronauts forum has a thread on the Manther where people share their experiences with Manther + Elektron machines ? You can also get randomness from some sequencers such as Squarp Pyramid paired with any synth of your choice.
I suggest reading this excellent thread before going further: https://www.modulargrid.net/e/forum/posts/index/3579
Make sure Eurorack is the answer to what you seek before making such investment, it is wonderful on many levels but can also be a sub-par solution for many situations too. For the same money the rack above would cost, you can get a desktop Manther AND a Behringer semi-modular to start playing with patch cables if you also want to do that (and those usually have MIDI I/O so they can play nice with your other stuff).
If you're curious about what Eurorack is and what it offers, the thread I suggest above also offers some perspective on that but there also was another created after which looks at the subject from a different standpoint: https://www.modulargrid.net/e/forum/posts/index/8681
I hope I was able to offer you some perspective and food for thoughts as my goal is to get you the most for your money ;-)
Have a good one.
Just jumping in to attract your attention to the 1U formats that exist: there are 2 competing formats, Pulp Logic tiles and Intellijel. The Palette case is made for the Intellijel format, it is not compatible with Pulp Logic sized module.
In the build above, I'm pretty sure the Atten-B are not compatible with a Palette case, and I have my doubts about the Unity Mixer as well. An Intellijel Quadratt (or Duatt) provides mixing and attenuation in the Intellijel format, and I also know of Transient Modules who are also making Intellijel compatible 1U modules, including a mixer.
Hope this help :)
Indeed, let's leave the public to decide.
First post speaks about a "misread comment" and implies the refund is blocked by an "expected apology", all that is gone in the second post... Apparently Thonk answered when you initiated the Paypal claim, but that is left out. The "misread comment" is also left out. According to my calculations, 2 weeks after the 24th of March was yesterday, a bit more than a week after the set deadline, which isn't completely out of the understandable realm given that Thonk proposed a refund because of delays I'm assuming. So far, it looks like you're PayPal claiming someone because they are late. I'm also not getting the "urgent purchase" during the confinement times, I certainly wouldn't count on accurate delivery times lately, wouldn't even be surprised if PayPal takes it into account. I'd like to sympathize with you but I need a coherent story.
I really enjoyed this content, production is really really good. I'm unsure if you wanted to make a piece of art but in my eyes, that is what you achieved, on top of the message itself. Well done, wish I had your talent for video, thanks for sharing !
Thanks, yes, I did, but now I was just testing again and I'm seeing weird things, so I have to assume the problem is linked to my browser not updating the page after clicking the button, probably some extension that is misbehaving. Just tried from my phone and it's working fine.
I wonder if that's a feature that is not working, or if I missed something, but I wonder how the search works for modules, I made the simple test:
Now, my understanding of a search bar is more or less SELECT * FROM x WHERE name LIKE "%mysearchterm%" but obviously that's not happening here, so what gives ? Is the search bar broken or is my logic broken ? :)
P.S.: shouldn't that module name be corrected ? Eurorack, Synth, Oscillator and Module all seem pretty useless...
What was your first VCO? How many did you get?
My first were the Erica Synths Black Wavetable VCO and Instruo TsL. After some weeks with the first modules, I also got Plaits form Mutable Instruments.
Is there a such thing as too many VCOs?
Depends on space in the rack and funds in your pockets I suppose. Nothing wrong with having loads of VCO's, they can be used as great sources of modulation. But they occupy rack space and cost money, so too many is when you have a near VCO-only rack or when you're broke from buying too many of them :)
I will start by mentioning what other equipment I have around me at this point:
Soundcraft Sound Signature 10
Faderfox Pc & Mx 12
Circuit Happy Missing Link
These are units that, more or less, I think they could take part or not in the future discussions.
I'm not sure what you mean by that. The Soundcraft is a mixer so no issue. Faderfox, Iconnectivity and Circuit Happy are all MIDI devices though, so it really depends on whether or not your Eurorack setup can accommodate that much MIDI input and if you want to spend HP for modules making the MIDI to CV conversion.
My first question is: How much importance should I give to this specific case knowing that one row is 1u and It Has to be intellijel utility modules? Should I go on a case without 1u modules ? How efficient are those Intellijel 1u modules to cover the needs of a beginner ? Is it safe to invest in a case like that, knowing that I would have to use Only Intellijel modules for that particular row?
The way I see it, the 7U isn't such a big case (but that's highly dependent on the build I personally have in mind for myself, a very personal perception of what is needed in a rack). Therefore, any HP I can save in the 3U space is welcome, and the compatible (again, watch out for Pulp Logic vs Intellijel) 1U offering by Intellijel and a couple of other manufacturers helps me tremendously. I'm particularly fan of the O&C in 1U format, as well as the quad attenuverter, couldn't live without those (I have 2 now, thinking about getting a 3rd). Something to consider: cases with a 1U row seem considerably more expensive than their equivalent without, but 1. you save space and 2. sometimes the 1U module is a bit less expensive than its 3U equivalent.
As Lugia said, Intellijel is not the only player in the 1U Intellijel space. The offering is limited but there is already quite a lot of interesting utilities in my opinion. What is less "safe" is the "lock in" situation: once you get into 1U, you will need to get rid of all your 1U modules if you pick a case without that row, or you will need to limit yourself to options with a 1U row as well (I went with that when I evolved out of my 7U).
If you are worried about the usability, I find that the 1U row on the 7U is ideally placed and the modules design is usually taking the form factor into account so that's not much of an issue. But if indeed you can't see the usefulness of an attenuverter, a linear VCA or a slew limiter, please do follow Lugia's advice and get some experience with free software, it will help you make a better plan based on YOUR patching techniques and related needs.
Hopefully this helps. Welcome to MG :)
I started with an Intellijel 7U. Nothing bad about that one in particular (good starter option, in fact), but indeed I thought initially that the ambitious plan I made before having my first rack wouldn't change too much. I was of course very wrong and as soon as I had my first evening with my first rack, a lot changed and I ended up making more plans. I now have an MDLR 14U and can
I sense that to end up with a small setup that is efficient, interesting and playable, one needs quite a lot of Eurorack experience. Thus the advice for beginners: plan a wayyyy bigger rack than what you have in mind at first, especially if you've never touched modular before.
I'm now investigating into some VCA/enveloppe and/or LFO/enveloppe (any input appreciated).
For VCA's, my first one was a quad VCA from Intellijel, I still like being able to adjust the response between linear and exponential as well as the mixing possibilities. 4 VCA's was more than enough to start messing around in my first rack, I could have done with even less at the start. That being said, consider that a VCA is not only for audio but can also be used to control modulation (=cv) amplitude, so it's not necessarily 1 voice = 1 VCA. And on the other hand, some modules like Plaits, Plonk or Basimilus Iteritas Alter have integrated VCA's which are amazing space savers. Mutable Instruments Veils is another option similar to the Intellijel one, there are also many others so take your time to pick a module. Since you played with VCV, did you try experimenting with using VCAs to control CV modulation or even AM synthesis (amplitude modulation) ? Some practice using VCA's in your VCV patches should give you an idea of how many you like to use. If you really can't decide, start small, I suppose.
For LFO's, Garfield convinced me to get the Erica Synths Octasource and I'm grateful he did, it's loads of fun. The only "drawback" is that it looks like a simple module but it actually took me time to learn how to best use its particularities, clever patching is everything here and that's not easy when you're starting out (wasn't a problem for long though). Oh yeah, it's also not on the cheap side, albeit worth the asking price IMO. Another option I see recommended a lot is the Batumi, looks like a good module to me, less on the crazy side I think. In my rack, I also have a Mutable Instruments Stages which can be configured to offer up to 6 LFO's. The amount of options here is simply overwhelming, the best advice I think I can offer is again, take your time to select what suits you best. That being said, I don't think one could go wrong with any of the options mentioned.
For envelopes, I haven't tried enough options to really recommend anything, but I'd say decide first what sort of envelope you need. For example, I quickly realized, before I got into modular, that I'm generally fine with AD envelopes and rarely need a Hold stage (which stays open while the gate is held) or a full ADSR. I picked the Stages to be able to select the envelope type per patch, that kind of flexibility is really nice.
I feel like at this point I should mention Maths since you are considering a rack with more space. Maths is a large module but it's definitely worth it if you can afford spending some cash and 20HP on it. It's an amazing tool to teach newcomers about what I call "clever patching techniques": amongst its many uses are being an LFO or being an EG but there's a video out there (I think by Loopop) of it being used as sort of a Subharmonicon so really, sky is the limit. Also, you might not need that A-171-2 if you end up getting a Maths.
As this rack also serves an educational purpose I still hope I could get started doing 'something' with these few modules modules and get a taste of what's missing from this point.
Do you think I still can enjoy the basic concepts with this setup before going further?
Sure, if I were you I would even start with only one voice to begin getting a feel for it, you can always buy more later. Full disclosure, I didn't, but I'm definitely greedy :) You have the option to sample the voice into the DT and make another patch if you can live with sacrificing a DT voice for a while. I think that for the learning part of the experience, getting a Disting is a great idea, you can try many types of modular functionalities with it and discover which ones are worth getting their own module.
Oh by the way, what is the A-183-3 for ?
Excellent advice by Garfield as usual, I would like to add my voice (no pun intended) to the "you probably will need a bigger rack" team. Let's see if I can explain why.
If you want to create a multi-voice modular system (so at least 2 voices), you will already need at least 2 sound sources, here I can only see the Dixie and the STO, excellent in their own right but using the Dixie as a VCO prevents you from comfortably using it as an LFO. How many LFO's you need is a question of taste but just Disting (+ maybe Dixie) on LFO duties is not nearly enough for me.
Sound source is not the only thing you would need more of, in my opinion:
- I would definitely need more envelopes, at least one for the filter. One could do without it, of course, but it would make me sad.
- I would also need another filter for the 2nd voice. Another module that could use modulation like LFO's and envelopes, most likely.
- Ideally, I would like a (cv controllable, if possible) mixer/vca to mix waveforms from the VCO's and get some timbre variation
Let's look at the whole project as well, how much of it could not be achieved with a more "traditional" synth like the Elektron Analog Four ? For now with this setup, I'm thinking "not much, actually", which would prompt me to suggest getting that synth instead if your only goal is having a few mono synth voices with "limited" modulation. You'd get an interesting sequencer, effects, a few more voices, audio via USB etc. Should you get the A4 instead of a modular system ? Maybe, perhaps not. My point is that in my opinion, for one to get into Eurorack, one should probably have (or plan to have) needs that could only be answered in modular. Or simply have a lot of money to spend I guess hehe :) In other words, for your setup to offer more than what can be achieved with a "traditional" synth like the Elektron Analog Four (which BTW is not necessarily a goal that needs to be achieved on the first iteration, but it's good to look at the foreseeable future too), you would most likely need more modules, hence more space.
You have some space left in the rack right now but not much and you said it yourself, the size "can be ok for now", so there is a risk that you outgrow this. It is my personal opinion that it would happen much faster than you anticipate, as it seems to be a common experience for most of us. Hell, I was a modulation freak before but not nearly as much as now that I got into Eurorack, I could have never anticipated that the format would challenge my synthesis and production techniques so much, but I guess that's what great about it. As a result, the rack I have now is very, very different from the first plan I made. More importantly, it's much bigger now that I learned to use my rack and realized I wanted more out of it. I had to buy a bigger case after buying a small one, which is définitely more expensive than just buying the big one straight away.
The risk of outgrowing your current space is enough that I feel I should encourage you to consider a bigger case like TipTop Mantis or Intellijel's popular 7U cases. At first, it will look huge and empty but I wouldn't be surprised if it gets filled eventually. The final decision is always yours, but I hope my comment will help you make the best decision for what you envision.
Have fun and make music !
Hi Winterlight !
Hard to say, depends on your build I guess. VCA's and mixers are not exactly the same thing, although I have used my quad VCA module as a mixer more than once. Rather than reiterating, I'm linking here to a couple of threads seen elsewhere on the subject:
Hope this helps,
Don't panic. Start slow. Learn one module at the time. Be sure to read the manuals. Start with simple patches and when you explore few modules then just add another. By time you will see which modules you don't like and you can sell them.
PS: You have not enough VCA's!
I fully agree with reflecture here, excellent advice. Simple patches are the way to go when you are lost, simplify your signal path and take things slow, you don't need to be creating masterpieces on your first minutes with your rack. Just exploring a few modules at a time and see how they respond to being fed different types of signal can be very rewarding (and give you ideas you can use musically). This will also teach you what you like to do with a modular setup and how you like to patch, which varies a lot from one person to the next and while trying other people's ideas can be fun, trying your own is equally if not more important.
Take Plaits for example : when I first got it in my rack, I needed a week of simple patches with it just to have an idea of which algos I could prefer in which context. The module is so deep, I even feel I have rushed things by spending only a week with it in "isolation".
And in the end, it can be a question of how you patch and your personal taste/needs, but I would also consider more ways to control modulation, like VCA's and attenuators.
Have fun with your setup, it's a good one !
Sorry to read that then but at least you've got the right attitude, I'm impressed by how you're able to easily remember that one bad experience shouldn't put you off interacting more with the rest of this amazing community so I respectfully tip you my hat.
If I were you, I'd try to contact PayPal nonetheless, perhaps repeated complaints (the victim from the other thread said he introduced one) against the same user could have an effect ?
Wishing you the best luck for the future ;)
You mean that user with already one negative vote on his profile and a thread by another user getting scammed (https://www.modulargrid.net/e/forum/posts/index/8359) ? Not surprising but at least you used the PayPal protection, right ?
Hi there !
Didn't know about Tim Hecker, pretty nice sounds, thanks for sharing :)
With regards to your rack, I would personally miss at least a few VCA's, a clock source (I don't know the Voltage Block that well but Steppy won't advance without a clock, Pamela's New Workout would provide that and some more, or you could just use of Maths' channels in cycling mode) as well as a mixer since in your plan there seems to be no way to hear all your sound sources at the same time... Also, what was the reasoning behind the buffered mult, what do you plan to use it for ? These are generally only used when you need a very precise copy of a signal, otherwise inline mults could do and save you both space and money. Finally, as a very personal choice, I would not go for a Zeroscope in such a small setup. For me, but that's just me, an oscilloscope is needed when creating very complex signals, I don't think I would get a lot of use out of it for a "small" setup like yours, although that may be due to my lack of experience with such devices.
If you want to start with just a few modules based on the above, I would go for the classic Rings into Clouds + Steppy and Voltage Block for sequencing, some fun to be had experimenting with these very deep and complex modules I think, although I have never owned any of those except Steppy in my setup.
Have you tried VCV Rack ? It's free and while you might not want to make music on a computer in the long run, I found that some time with it helped me understand some modular synthesis concepts before diving into the actual pool. It's a rather good option as it allows to better decide for yourself where you want to go, rather than entirely relying on advice from the interwebz.
Hope this helps !
Hi Eddie !
I have only started Eurorack a few months ago so take my advice with that in mind ;)
I have Plaits and BIA, both are excellent choices well worth the asking price in my opinion. BIA is particularly well suited for designing drum sounds and deep enough to allow for sonic explorations, for example I often use it to make bass lines. It definitely has its own character but can almost stand on its own. Plaits is even deeper, each algorithm almost feels like a new module. It has several sound engines dedicated to percussions as well so it's definitely not a bad idea either, especially since it will make your rig more versatile than a more percussion-focused module, Plaits also makes great synth sounds.
I have the Disting and while I find it super useful, especially to beginners, some people have expressed that they dislike the interface of this module. Indeed, cramming so much functionality in only 4HP, you end up with a non-negligeable manual to read, and some menu diving. I'm ok with it, others are not, something keep in mind maybe.
One thing you may want to consider is that the rack seems a bit light on the modulation/sequencing side. Sure, BIA and Plaits can stand on their own but to keep sounds interesting and evolving, modulation is key unless you have 15 hands. You would probably need triggers for your enveloppe generator (although they can loop on their own) and the sound modules, LFO's and modulating CV for other stuff as well, so it feels like the FH-2 could come short on that (although I don't know that module, I'm just counting the outputs). Did you count modulation sources and destinations as well as needs for triggers in your plan ? No one can decide for you but I would pay attention to this before making a final decision.
If you look for just another one to add, Intellijel Plonk is certainly one that should be considered for percussive rigs. I've only tested it a few times as I plan to buy one for myself but it felt like a very serious option for drum sounds. It's also a self-contained voice like the BIA and Plaits so it wouldn't need "complimentary" modules either. The WMD offering on drums also looks very tempting, although perhaps with more focused sound palettes. No experience with those yet, but I have Crater on order.
Speaking of "adding another one", the big weakness I see in your plan is the rack size. From personnal experience and many, many tales of similar situations I read on the web, buying a bigger rack than the one just big enough to host the modules you currently plan on buying is taking into account the possibility (rather likely to happen, I'd wager) that you will want to expand in the future, and you will need space for that. Something like the Intellijel's 7U in 84HP, it might look big to you at first but it's quite portable (one can definitely lift that one one hand), will give you space to expand and provide you with nice things like a 1U row to put some utilities (for example, Intellijel's Quadratt 1U is a great small mixer/attenuverter) and audio-MIDI I/O. It's just an example of course, the point I'm trying to make is that leaving only 6HP free on your first plan sound like you're going to hit that HP limit very soon, at which point you might have to sell your first rack already.
Hopefully all this will be useful to you ;)
Hi there !
Being an Elektron Octatrack user, I'm not afraid of reading manuals often or having to remember key combinations by heart. Consequently, I find the Disting really OK from that point of view and having that many functions available to test a bunch of ideas is amazing. When I'm not using it for experiments it usually serves as an effect module, clocked delay more often that not, it's a very decent delay module IMHO.
I also need to point out how awesome it is to have colored leds at the inputs showing voltage strength visually, brilliant idea really, even better than having the activity led that some modules have. I wish more manufacturers were using those !
With regards to sample playing, I have read somewhere (here I think) that the Radio Music sample playing might not be the tightest when it comes to timing, so if you're thinking about it make sure you check that out first to avoid frustration ;)
I hope you'll find a way to have fun with the Disting !
PS: are you the Wishbone Brewery who invited Mylar Melodies to play (he posted a video a few days ago) ? That was neat !
I've been looking at demos and asked for opinions on the 1U reverb but it wasn't really what I needed. I would definitely recommend to make sure it suits your needs, I would personally not consider it as a sort of end of chain module. Again, that's just based on the small demo on Youtube and forum talk so to take with a grain of salt. I myself settled for a 2hp Verb for now, limited as well but at least it sounds decent and has that long tailed reverb I need. Now looking forward to real demos of the new FX modules by TipTop Audio. The ones I often see recommended are the Erbe-Verb by Make Noise (if only I had more cash and more rack space for it lol, demos sound incredible) and the Mutable Instruments Clouds (although a lot of people seem to use it as a reverb, it's wayyy more than that, again, wish I had the space for it).
For the sampling part, I haven't really reached a point where I'm ready to do that in my rack, I use an Octatrack in conjunction with the modular so I can't really comment further on that other than repeating that I would certainly try to decide exactly what needs to be achieved before looking at any module. There are a few options that are doing very different things so make sure you watch all the videos you can about those devices and also read their manuals before deciding.
For your pitch cv offset issue, I'm no expert so definitely check that out with someone else before making any purchase but I think a precision adder could solve your tracking issue. From what I understand, it is made to solve the problem you encountered and some modules have an offset built-in which could free up the Quadratt channel you are using now.
Discussing modular sequencers is worth its own thread (probably has several already tbh) but I'll just say that there are many many options, ranging from single modules to combinations of utilities, from immediate and/or random to pre-prepared sequences, some only cv, some only gate/triggers, some both. To illustrate, I was surprised to learn that you could have a lot of flexibility by having pitch and gate information being sequenced from 2 separate modules, or how it is possible to sequence a voice using a turing machine module in combination with a quantizer because those 2 aspects of sequencing are not really present in the "groovebox" world I was used to. Most options I know of in Eurorack take up a lot of rack space (because I need them to sequence more than 1 voice) so to sequence a single track, I can't really recommend any specific option.
All this being said, what are you using your O&C for ? From what I read in the manual (I don't own one yet, my 1U O&C is in the mail), the Quantermain app has a turing machine built-in so you could use that so sequence your other voice, and it has other options for pitch sequencing as well.
I hope this at least gave you more ideas and options to research :)
This thread has a link to my rack and a track I have on Youtube: https://www.modulargrid.net/e/forum/posts/index/8260
Hi there !
I'm probably as much a noob as you are, given that I only have a few months with Eurorack.
That being said, if I was given your rack I would probably think about adding an effect module or 2, especially if you plan on using the input on that 1U module to get some external sound sources into your rack. Which one is entirely a question of choice. I'm having a lot of fun with the Make Noise Mimeophon, but it's just an example. For anything ambient, I'd say one would probably need a decent reverb, but again, that's just my very small experience making the occasional ambient patch on my system.
For working with samples, I haven't tested either of those but I've heard good things about 1010 Music's BitBox and the Morphagene by Make Noise, 2 very different takes on sampling. Again, it all depends on what you would like to go for, just throwing you a few more ideas to look at while waiting for more experienced posters.
Hope this helps anyway ;)
Thanks for taking part to the conversation and your kind words about my badly mixed music :-p
The Waldorf NW-1 looks nice but it's way too wide for my rack. I have decided that if I change the oscillator, I am going to go with Noise Engineering Loquelic Iteritas. Demos sound rad, it's only 10HP with nice modulation options and most importantly, I think it would be the one I'd have the most fun with. Already have a lot of respect for that manufacturer since I love the MD and every minute with the BIA is a real pleasure. Seeing how much distortion I was using when making music on Elektron machines + computer, I think something small and nasty like the Viol Ruina could also be a good thing for my rack too, I did some experimentation with the Overdrive in my Pico DSP but I wish I could turn the drive knob further :)
I'll have a look at Springray II. To be honest, I'd have to try different options with the sound sources within my rack, given that I clearly don't know enough about reverbs to have an opinion. I think that a reverb upgrade would have to wait for a bigger case, which isn't planned for the near future, and for a day when I would have some idea of what I need.
I don't know anything about the Vermona drum machine I'm afraid but I have owned the A4 mark 1 for a few years, it's a very deep synth that rewards dedicated exploration. I have read criticism about it sounding "thin" but in my experience it comes down to user knowledge about its sweet spots and general substractive synths programming. I recommend trying to get drums sounds out of it too, it can be a great drum machine as well, especially using sound locks. I wish you many hours of fun with it !
I'm still happy about the T-sL, definitely. I find its core sound just powerful and beautiful. It's surprisingly deep for only 6hp, its many outputs offer a wide sound palette from mellow to very harsh. The size could be viewed as a downside though, because if you use a lot of outputs and feed its inputs at the same time, the small knobs can be hard to get to with your hands after everything is patched. If you can live with that, it's wonderful IMHO.
On top of my Mac being broken, I had to send back my Intellijel Mixup modules (dead channel 1, already fixed by the awesome Intellijel support and on its way back to me) so I don't even have a complete setup now. Gives me some time to study modules in more isolation I guess. As soon as I'm back on tracks and have recorded something, I'll let you know ;)
Indeed, between Hermod and Pam I have plenty of gates generation and modulation. Pam is so awesome and surprisingly playable for a module that has only one knob.
Nice to read your thoughts about O&C, I really feel like the 1U 4 Robots would be a great use of the spare 1U space I have, I mean from what I understand from the manual, your opinion and the few videos available, it would make a lot of sense in my rack and offer a lot of new options for what I already have. By the looks of it, I would have to agree with you on the analogy with the Disting, although I have the feeling the alternative firmware I am investigating at the moment, Hemisphere, is even closer.
Coming back to the original subject, I have made more experiments yesterday and earlier today with the Black Wavetable. I tried focusing on the raw sound of it, with very little to no reverb and I really felt like it's very mellow compared to something like the raw sound of the T-sL which I find more "powerful" for lack of a better way to explain myself, or even some algorhythms of the Plaits which can easily sound pretty gnarly. I can bring all my other sound sources (T-sL, Plaits, BIA) to noisy territories with relative ease and I'm starting to get a feel for sweet spots too (sometimes), but I struggle to find what I'm looking for with the Erica module. I have also tried mixing sub and main out in the Quad VCA feeding slow LFO's to the VCA, I get a much deeper sound but that's not what I'm really after, if anything it takes more place in the low section of the mix which is not always a nice thing.
On my list of things to try still :
- modulating pitch and/or wave with audio rate CV
- feeding abrupt cv patterns from the MD to wave cv input
- test using that sub output again and play with the octave switch manually
- switching back from the 2hp Verb to the Pico DSP for reverb and make good use of that cv input on the Pico module
- modulate distortion on the Pico DSP, placing before and after the reverb
- if I bring myself to sacrificing a track on the OT, testing of processing the drone in the OT. Sure, it would probably sound nice but I don't like being forced to have the track selected to play with the sound on the OT, I'd rather have that in my case, either on the module itself or the modulation sources I'm using. That is sort of the ergonomics I had in mind but it might just be stupid not to go for the inexpensive option of an extra stereo out in the 1U section, after all it might come in handy for multi track recordings. Nevertheless, I can't help but think that since I would have to make heavy use of the OT effects, I wouldn't be too far off just using drones samples on the OT :)
Any ideas of other things I should try ?
Also, can you tell me more about that Monsoon I see in your racks, do you own that one and if so, would that be relevant for me ? I know Clouds is a very popular module, I of course watched a couple of demos but I'm not convinced it would make sense for me, other than providing a better reverb option than the 2hp... Maybe that would already be a good reason ?
In all honesty, a Eurorack drum machine sounds great on paper. But once you start pricing out everything you're going to need, you'll find it to be an extremely expensive way to go... even if you get dedicated drum modules. That's a lot of money to reinvent a drum machine. I bought a 1010 Music BitBox to act as an in-rack record/playback system. Boom. All my drums. I can also record in-sync. So if I have a long ambiance, I can loop record it or any other part.
Beware the rabbit hole. It will suck your wallet dry.
I agree, I had already figured out that such an endeavor would indeed nuke my finances. I am already mainly using samples for drums so I would have considered a Plonk and a few Pico Drums but the BitBox looks like a much better option, I'll watch the demos attentively. I wonder if it could replace the Octatrack, live looping stuff on the fly and all that. Combined with a Mixer with PFL like the HexMix from Befaco, that sounds like a powerful live setup... As I said, I don't see myself making a move like that in the near future but it's nice to think of options... Don't worry, I have never in my life bought something I could not afford with ease, I have sold a lot of gear and got a few extras here and there this year before getting into this so I'm not spending out of budget and don't intend to start, however fun module X looks like or dreams I may have of wonderful machines.
I had a look at the rack you have in public, I see a 1U O&C. Since I have a bunch of free 1U space, it's been on my radar for a while. I often could use an extra EG or an extra modulation source (especially if I end up changing the VCO and getting something with more CV inputs), as I understand it fits the bill but reading the manual of both the original firmware and the one for Hemisphere takes a while. What is your take on that module ? Would you add it to my rack ?
Cool conversation indeed !
I'll definitely try the slew limiter on the Disting. Lovely to have a module like that, only 4HP and so many functions, it's just perfect for beginners. Trying to use as many different functions as possible is a nice exercise to learn about modular. I'm not sure I need a slew limiter though. Last night I was playing with BIA>3Sisters>Mimeophon with modulation from the MD on the BIA and I really liked how the sudden voltage changes from the MD made a cool rhythm. I thought it was epic but the beer probably helped :) I can see the MD + BIA duo becoming a more permanent thing for me so we'll see.
I could record on my Octatrack, I just didn't take the time to do it to be honest, I spent all my time experimenting with my new setup. I had plans to write sequences in Hermod, write tracks in a way, but I ended up enjoying randomization and MIDI effects too much so it didn't happen yet either. I should think about planning time for actual arrangement and recording work aside from my noodling...
Speaking of the Octatrack, another idea I have for drones is using the 1U space I have to get a stereo out and line out from Intellijel to send just the drone part to an individual track in the Octatrack where I have FX slots. That would mean sacrificing one the 8 precious tracks on the OT though. Options, options...
About the better reverb, money and space. Yeah, sometimes I dream of those fancy 14U MDLR cases. It would mean enough space for an Erbe Verb or a Z-DSP, a bunch of cool utility modules, a fancy complex oscillator, VCAs for days, maybe even enough to have a full drums setup in my modular and have a completely self contained setup. The ultimate groovebox... Maybe later, right now I want to spend the time getting to know each module in my setup really well and get way more experienced before investing outside of my 7U, which I already enjoy a lot.
I could also consider using a slew limiter, it's true that I don't always like the sudden changes from the MD. I have read and watched videos about slew limiters but to be perfectly honest, it sort of flew over my head a bit as I had no hands-on experience. Are you referring to Function ? It's a bit big for just one channel, I feel, I'd prefer something smaller. Funny, when looking for slew limiters on here, one finds Stages but I don't think it could do what I need, am I wrong ?
I've been playing with how I feed gates to the MD, the most fun so far has been feeding several euclidean patterns from the Pamela to the N, X and Y inputs of the MD. Crazy sequences, totally worth sacrificing a few outputs of the Pam just for that ! I use it mainly for sequencing parameters on the BIA but I guess I could spare one output to play with the Disting or the Pico DSP. I found the reverb tails of those to be somewhat lacking for my use, compared to the 2hp which can sound huge.
I hear you with regards to the redundancy with Plaits, although I want to use that one for sounds with an envelope, I like the sound of the internal LPG. Nevertheless, I think both Plaits and the Black Wavetable are on the "mellow" side of sound sources, which is why the idea of another sound source to replace it sounds appealing. What you wrote about Noise Engineering, "a little harsh sounding sometimes", "strange harmonics", I have the impression that it's what I am looking for. For context, I have a track I didn't make on the modular (the computer I use to record stuff is broken right now) but which is representative of what I usually do and illustrates what sort of drones I'm interested in - sorry for the awful mixing work:
The plan is as you said, try harder with what I have first and explore all options I can think of before making any decision. Like that's going to be easy with my birthday and Black Friday coming up
Thanks Ronin for your answer !
To help the discussion, here's my current rack:
I started asking myself those question after thinking of getting a distortion module actually (because that's the only effect I really know about, but wavefolders and comb filters sound like something I would have to investigate further, thanks for the suggestion ! ). I was thinking about introducing one of the small distortions from Noise Engineering between the Black Wavetable and the reverb, and that (plus playing with the BIA in my rack) made me consider the fact that instead of 12HP for the VCO + 4HP for the distortion, I could maybe get a harsher sounding VCO from the Noise Engineering offering for just 10HP, if they're up to the task.
But again, I'm in no rush to switch out anything, for now I'm just thinking about it and considering some options while continuing to explore what I can do with what I have ;)
I definitely should also consider the possibility that, as suggested on MuffWiggler, I might need to make space for some sort of CV controllable mixer that would allow the type of patch you suggest with different signal paths. Signal paths are actually something I struggle with, even when looking at other people's racks, I am convinced that with Eurorack I can really build a signal path I could adapt to my needs on the fly, I just have a hard time figuring it out after years of using traditional synths.
Of course, I realize the 2hp Verb is limited but I had to make choices due to space and while something like the Erbe-Verb would without a doubt improve over what I have, I don't think I could make space for it. I also have to admit that working with reverbs was always something I also struggled to use, for example sequencing the reverb on my Octatrack is something I avoid doing lately as I always find the results worse than having it almost without any movement. Nevertheless, you're again right about suggesting to experiment with a filter or effects after the reverb as well. My 3 Sisters filter could definitely do the job, sounds like another thing I should try !
Hi everyone !
I'll try to contribute to this discussion in the most constructive way I can.
To understand my perspective, I also have been on the receiving end of advice about a rack project being a total noob in Eurorack, not too long ago. I suppose the rack I submitted was showing enough research because I received very constructive comments, I thoroughly enjoyed the conversation and had a few laughs. Maybe creating something along the lines of "How to build your first rack" and "how to constructively ask for advice to help others help you" could help everyone get the same experience.
On one hand, it's true that some comments made on newcomers' racks may be perceived as harsh, the same points could have been made while being less "dismissive" of the proposed idea, for example by pointing to learning resources about the misunderstood concepts that lead to a "less functional" rack or asking more information about the poster's goal with the rack and their knowledge about it. I personally don't have any issues with the tone but I also can totally see some sensitive people being discouraged by it sometimes, since there's a good chance MG will be (like it was for me) their first contact with the Eurorack community, as it gets recommended in a lot of YT videos for beginners. Being told your rack is unusable as a first comment could be discouraging for some people, even if that's very close to the truth. That being said, what should you tell someone who planned a rack based on faceplate color (for the record, I did that too at first) ? Sure it's fine if people want to do it (more module sales, more money for development of new modules, amarite ?), but we're building devices to make sound primarily or at least that is what most people do with Eurorack, so if someone is building a wall of black faceplates instead, I'd say "decorative" is a fitting adjective for the rack (even if "usable" and "fun" could be just as fitting in some situations), that's even the announced goal in a way.
On the other hand, those comments (or at the least the substance) were very important for me as they made me challenge a lot of my decisions for module selection or even where I was going with Eurorack in general. I still made a couple of mistakes but it would have been way more costly without the help of some people here, Lugia and Ronin included (thanks guys, really). I for one would have hated seeing the limits of my rack after only a few patches, I am SO GLAD that didn't happen and I probably owe it a lot to the advice that was provided here. Sure, in a way I agree with Hazel's point about being able to use one of those "less functional" racks. I would actually go further and say that starting with a very limited setup and picking your modules based on the limitations YOU encounter is a great strategy for learning. That being said, I strongly believe that while those racks may be fun to play with at least for a while, telling a future buyer of Eurorack about the limits of such a rack is an absolute must so they can make an informed buying decision. MG might be their first and only stop before the buying act, so it's important to make sure people understand what they would get for their hard earned money. They might not even have too much cash to spend on mistakes, even if those mistakes can teach you things as well. It's totally fine to build a rack that people would call unusable, a one-trick-pony or the modular equivalent of a Pringles can with a slinky I guess, as long as you understand well that it is what you are doing.
I suppose the most important for me is to get the information I need regardless of the tone, so I'm just grateful for whatever knowledge I can grab
Good day everyone ! :)
I am looking for VCO recommendations.
I thought for a moment to hijack the similar thread from GarfieldModular but for the sake of clarity, I'm opting for a new one.
The module I'm thinking of replacing is the Erica Synth Black Wavetable VCO. My use for it is quite simple: I feed CV modulation to the Wave CV in and send the OUT to a big reverb, the 2hp Verb with max Time and almost 100% wet (sometimes through a filter first but more often than not it's unnecessary), bam, I have a cool drone. So far so good.
What grinds my gears is the limited modulation destinations I have on this thing, and the apparent uniformity I get as a result. Even letting more dry signal through, most of my drones sound very similar and a bit too "behaved" for my taste. In other words, I think the Black Wavetable VCO is not crazy enough for me, and I need harsher sounding stuff, especially if it's drenched in reverb afterwards, I found that some modulation applied to bitcrush on the Black Wavetable VCO can bring some life to my patches, I just don't like too much how the bitcrush sounds. I don't use the internal VCA at all and the FM is just ok, nothing to write home about IMO. YMMV of course, it's just my personal taste.
The only limitation I have for now is space, the module has to be in the 8HP->24HP range, preferably 20HP maximum. I have done some research of course, and came up with the following challengers:
- Industrial Music Electronics Piston Honda Mk III. Basically another Wavetable VCO but I feel I would have a wider sound palette and better modulation destinations for sonic variety/evlution on it. - Industrial Music Electronics Hertz Donut Mk III. I love FM, and this VCO seems capable of outputting some pretty weird stuff, not sure how relevant it is for the use case I have defined though. - Noise Engineering Ataraxic Iteritas. Sounds harsh enough, wondering about variety of sound on this one but the width is ideal. - VOID Modular Gravitational Waves. Not enough demos online, but it came recommended by Lugia in Garfield's thread and a complex VCO sounds like something that could be useful for what I have in mind.
What are your opinions on the above ? Does anybody have experience with those ? Or maybe other modules I've missed and should really look into ? I often have no possibility to test the modules in person so bonus points for demos.
Other suggestions I'm interested in include those telling me to keep the Black Wavetable VCO and use it differently of course, I am in no rush to switch the module out ;)
Thanks in advance for your time and knowledge !!
I purchased a Noise Engineering Basimilus Iteritas Alter from @uebl.
I received a module in mint state, packaged to travel the world and it was shipped super fast.
As icing on the cake, communication was great and he was really helpful, making sure I was set for success with my new module.
Highly recommended seller !
But part of me just wonders "is there a point to all this typing?" if so many people have been conditioned into that TL;DR mentality, often to the point that not even rudimentary research has been done before setting out on this technically-complex and usually-expensive path.
There is a point because some of us are eager to learn :D
You may remember helping me a little while ago, all of you, and perhaps I haven't made it clear enough in the previous posts but your advice has been truly invaluable. I am now reading up your advice elsewhere on the forum about other people's beginner rigs and it's just as useful.
As many, I started learning about modular through Youtube and as Ronin puts it very well, the "unsexy side of Eurorack" does not get much love there (with a few honorables exceptions). I didn't assume that because of knowing about synthesis with "traditional" synths I would understand modular, but the issue was finding info about what makes a rig functional in the modular sense. I knew that throwing sexy modules in a rig would not give me something coherent but I had issues finding organized advice on the modules you don't see in the videos. When you don't have much experience in modular, how do you figure out if you need buffered mults, logic modules, what your final patches should look like and if you're going to be short on VCA's or if a switch multiple could really make a difference in the rig?
An advice that goes around a lot is "know what you want to do before you start buying modules" but reading from you guys about how it all works together as a system (e.g. why one needs utility modules to make a generative rig possible) makes a real difference for beginners who are ready to put in the time to read manuals or guides. I'm fairly certain it's impossible to avoid having some people getting overexcited over some videos and giving in to the TL;DR/I want it now mentality. It's very difficult to fight this and to be honest, I still remember the excitement I felt when I decided I would actually get into modular, it was truly hard not to be an idiot and start a cart on some web shop :) Nevertheless, there will always be people who are willing to do the research and since MG is the number one site being talked about in the Youtube videos as a "want to know more?" sort of place, we all end up here sooner or later. Having that sort of authoritative resource being produced here would mean a good number of those looking for learning resources would end up reading this one.
Reading your advice here did save me from a few mistakes and a few choices I would have regretted. Now that I'm playing with my rig daily and I start grasping the concepts I missed, I understand how important that initial advice was.
If I can be of any help to make this happen, proof reading, beginner's mistakes I made, etc, I'd be happy to assist.
Hi Garfield !
Honestly I'm not sure I can personally recommend Three Sisters right now since I haven't personally tested it, I'm relying on a friend who knows the "music" I make and he played with it a bit when he travelled, I don't have a dealer handy to test modules apart from the limited stock that makes it to the shop in my town unfortunately. As you put it, "just blindly" is all I have to work with most times.Demos on the web seem to demonstrate what my friend told me about it though, a filter with character and interesting I/O, I'm particularly curious to test in person the Centre and All outputs... But I'll tell you all about it when it makes it here, I just paid for a second hand one form a guy offering a good deal on a Plaits :) All in all, I think the Plaits is a better choice for me due to a larger sound palette than the Basimilus Iteritas Alter.
About the search for sequencers, I find it difficult as well, it sure requires a lot of research. Ground Control and the Black Sequencer both look great but at 40HP+, I feel I don't have the space. Getting one of those in would mean getting rid of other things I need or upgrade to a second 7U already, I just can't afford it :) The menu diving is not scaring me, both the Squarp and the ToolBox are way simpler than the Octatrack which is known to be a complex, "menu-divy" machine, the important thing for me is accessibility of the important functions during performance which seems to be on point for both devices (mutes, pattern switching in sync, etc can be accessed almost immediately). The deciding factor will be wether or not Hermod can switch project on the fly and in sync with the external clock coming from the OT, its 8 tracks are more flexible than the layout offered by ToolBox and it's less expensive but 8 sequences per project is just not enough for me.
A bit more about the T-sL: I think placement in the rack is very important because one absolutely needs access to the small knobs. Yesterday evening's experiment was about testing that module further (I'm still learning stuff so daily practice is my life now), and it further confirmed that I can get amazing tones from it by feeding it a lot of modulation and playing with those attenuators, provided that I can physically access the knobs :) Through the QPAS, with a pitch-shift delay from the Pico DSP and a touch of reverb from the Disting, it sounded amazing ! Worse case scenario, I can use the attenuators from the Quadratt 1U, although they're usually full pretty early in the patch, very useful performance tool that one.
I know understand what you meant by not wanting to tame the OctaSource. I realized that applying its modulations to key parameters (clever patching is everything, I know hehe), the change in sound or groove you can get by modulating its phase or wave is just ridiculous. Another module rewarding experimentation a lot, a simple but effective design really. I wonder what would happen if you patch one of its outputs back into the phase input, I'll try that some day soon :)
Ha, seems I missed Ronin's answer, no email to tell me about this one weirdly enough.
Coming from Elektron machines, I don't mind a little bit of menu diving so maybe that's why I'm not bothered by the many functions included in the Disting and the need for a manual close-by. Another thing is that I intend to use it first to determine, as you suggested, which functions I find myself using the most and outline my future needs so I'm rarely changing function on it, looking at the manual every once in a while is fine. It's been stuck on Stereo Reverb mode for the best part of last week, so considering getting the 2hp Verb...
Thank you for going deeper in the sequencer subject, I've been investigating this all weekend. Basically, I don't find the Mimetic Digitalis (MD for short) hard to use, rather I find it limited for a few reasons:
- No onboard scaling
- Only 1 clock input, no division per track
- No copy/paste operations for a pattern or a step
- No way to go to the previous step other than Origin + advancing to it manually
These points make me spend too much time on programming sequences and out of laziness, I end up making simplistic stuff that gets boring very quickly. To be honest the MD feels to me like it would be better suited for CV modulation only (especially doing those tricks you describe with its inputs) rather than using it to sequence pitch like I'm doing now.
I've been looking at 1010Music's Toolbox or Squarp's Hermod to replace the Pamela's New Workout + MD combo I'm currently using to sequence the synth voices (I use steppy for the Pico DRUMS): more sequences, more tracks, hell, with one of those options I could maybe even remove Pam's New Workout entirely if it's really capable and feature packed.
I find the 8 sequences per project of the Hermod limiting as well, I posted a question on their forum yesterday to know if switching project can be done while keeping sync, no answer yet.
This is my shopping list for the sequencer:
ABSOLUTE MUST HAVES
- CV and Gate sequencing for 3 tracks - Clock + Start/Stop via CV control - Independent track length or clock division - Around 26HP max, space in my rack is very limited and I dont want to end up with a rack completely full just yet - At least 16 sequences of minimum 16 steps each
- Mutes per track - More CV capable outputs and sequences for tight parameter control on other modules - At least 32 sequences of minimum 32 steps each - Scales (I suck at music theory)
- More sequences/projects - Transpose sequences via CV - Variable gate length per step - Value gliding between steps
Do you guys have suggestions, any opinions about the 2 last contenders I picked or other options I haven't considered ?
The fever for new modules is unlikely to leave me any time soon especially if I go for one of the above sequencers which could allow me to remove the MIDI module in 1U format to direct MIDI straight from the OT to the sequencer, this would open up some more space in that 1U section. In fact, there is a O&C module for the Intellijel 1U format (Plum Audio's 1uO_c 4Robots), I just haven't had the time yet to look at that module too much. How useful is it, what do you use it for, what do you think I should be using it for in my setup ? In short, why are you suggesting it, am I missing out ?
As for filters (addressing Garfield's points about this), I think Mannequin's Sisters (nice quality setting with CV input) should be a nice fit for the sound I'm going for.
Finally, my search for the 3rd voice is nearing its end, the fight is between Noise Engineering's Basimilus Iteritas Alter and Mutable's Plaits, I'm currently heavily leaning towards the latter. Haven't played with the BSA and only a short amount of time with the Plaits but it seemed very deep in terms of the different sounds you can get from a single algorithm, and it has more than one :)
This is the current plan for the future:
Hi Garfield !
Holidays were nice, I needed that time off :)
So the mixer change, yeah, a lot of thinking and hesitating went in there, but I think overall the double Mixup is a superior option for me for now: I get more channels (2 stereo with mute switches and volume knob, 2 without but I can handle that in other modules as well), I still have mutes and more importantly, I realized I could just do away with the audio I/O entirely if I give up external input by connecting the Mixup output straight to the case's output, I could just then take that same output with patch cables to the headphones out (the signal is duplicated between the out plugs and another "hidden" channel with the connector on the back panel). Losing panning per channel is indeed a big downside but since some modules give me stereo imaging (QPAS, Pico DSP, Mimeophon), I can still create interesting stuff in the stereo space. The Doepfer A-134 was not part of my plan so it wasn't meant to solve that, it was given to me by someone who had no use for it but had not seen my setup plans :-p
I agree with what you're saying about Pico modules, clever placement within the case is important, and they're still to be considered as 'set and forget' items more than playable ones.
My opinion (being a massive noob) about the Ts-L is that it's very beefy and precise, it offers a few ways to modulate it but the small knobs on the bottom can be hard to manipulate when patching is done, I would have loved bigger knobs. This might just be bad decisions by me, mind you, setting it next to PNW was maybe not the best idea.
Sounds like we have similar filter opinions. What would be your recommendation to pair with the T-sL or Basimilus Iteritas Alter ?
I did what you recommend for the OctaSource. For now I like it to be a bit predictable, but experimentation will surely come soon. It's definitely very handy as a massive source of synced modulation !
I did see that sourcing the Disting can be a bit tricky but I managed to find some stock. Maybe I got lucky :)
I'm still debating the role of the OT in the setup, some days I want to use it as a looper and nothing more, some days I think I should keep most drums and complex MIDI patterns in there. Maybe it's just how I manage having an OT, I'm never quite sure how I want to use it and end up doing a bit of everything in disorganized fashion :-D
About Stages, I could start by saying that I wish I had 2. It is very playable and easy to understand, no menus or complex button combinations, the only thing to remember is what each state does (changed by the little button available per slider). Really, it comes down to your understanding of Eurorack and how clever your patching is, in my opinion. I realized I didn't know half as much as I thought I knew about enveloppes so exploring this will be another few hours but so far, I'm very happy with this module and would surely recommend it. If you're after enveloppes only though, maybe the Quadra from Intellijel is another option to look at, I hesitated between those 2 for a while...
Getting a Eurorack in the middle of end of year activity peaks at work, RIP my sleep patterns, couldn't be happier though :-)
All the best,