User Posts

By this small casesize maybe only one envelope/Lfo-combo, just stages or tides?

Maybe drop the Milton for a Pams and a 3x MIA?
Something like a Mimeophon or Nautilus?
Or Beads?

SGR-20 from Know Technology = Drone-Noise-Drum-Percussion-Mayhem. + It´s analog
Error Instruments red teleblender = chaotic + bubbly cvs and also noise

What about something like that?
Just a impulse
(Would have no chords)

I would like this one:

(With Mimeo even darker)

EDITED Friday April 19, 22:39

One thing I would appreciate:

In pedalmode when yo create a pedalboard-rack - the possibility to add own created eurorack-racks as part of the pedalboard.

Like adding a small 60 or 84 hp 3u case as part of a hybrid live setup with pedals and synths.

I like the marbles a lot.
I guess its the most complex and easy to use random module, while you have Instant access by tweaking knobs.
If you understand it you can archieve incredible results.

The selfpatching abilities are great and you can get endless evolving random cv and gates.

The fact that it is like a kind of turing maschine comes really handy and makes it very playable.

Another idea cold be clank chaos.
Chaos seems to me more drastic and chaotic. You get a chaotic random mess and can thin out the chaotic cv and gate results afterwards to fit it to be less what you not want and to be more musically.
It has also a cv looping feature and got a sequencer ability in the new firmware.

I have both and enjoy them.

I use the marbles to dial in controlled random for basic and dominant functions. The chaos I use for glitchy, unpredicted and wild random.

Volca Drum seems a great idea.
How about controlling the Volca Drum?
I had a Volca FM once and I found the parameters hard to access and menu divey.
So I guess it could be similar with the volca drum?

drums should be covered

Any idea for a small synth voice?
Softpop 2 is quiet expensive (I will leave it out)

Right now Im thinking like this:

drums: elektron: samples + volca drum (remove the dfam)
FX: Mood MK II (reverb, delay, looper, granular)
small synth voice: ?
small mixer: Bastl Bestie?

I could add a bluebox and blackbox later, but still to expensive right now.

I have only the moog DFAM and the Mood MK II FX-Pedal.

The rest are just ideas for additional stuff I would have to buy.

Hi

Im thinking about to take a break from modular for the moment
things start to become to big and complex for my brain right now (while I have to focus on other non musical stuff)

For the meanwhile:
Im looking for a small performance setup which is small and easy, maybe just focusing on up to 3 devices or so.

So im asking for some ideas and tips for a non modular or hybrid setup - maybe some groovebox or drummaschine oriented setup. minimalistic, easy to use without to much brain cells involved :D

This is my first attempt:
(I have the DFAM and Mood MK II, not the rest)

(Sry, the rack doesnt shop up directly, because its a "pedal rack")

Greetings

Chris

EDITED Apr 13th, 19:46

Im looking for Winterbloom Neptune

nobody sells it in germany :(
somewhere else in eu?
Didnt find a place to buy it yet

https://www.modulargrid.net/e/winterbloom-neptune

!

Could you explain a bit more how to use it as logic module?
+ Could you explain the module a bit easier?

It reads a bit complicated to me.

EDITED Apr 7th, 19:41

thank you for the advice.

the purpose of the rack is to be a live groovebox. A allrounder for live sets.
I intended the bitbox to trigger drums and also be able to sample own sounds to trigger later.

I thought to limit it to 1 voice for simplicity.

Depending on your advice, I changed a bit.

moving most utility to 1u row, like attenuverters etc

swapped maths with delta

Lainakea as main vco trough the (Ikarie Filter)
Ona as standard vco trough (Steady Fate Gate LPG)
Jolin Agogo as LPG or multiple

drums mainly with ultra perc + BIA

sequencing and modulation more focused on nerdseq

I added morphagene for glitchy fx processing.

how about that?

Thank you very much :D

My plan was to use the hypster as lfo and mix it with the matrix mixer.

I guess I have to look, to get something nice for the 1u row to complement, but Im a bit clueless with 1u modules

Could you gibe me a feedback on this setup?

104hp 7u

EDITED Mar 21st, 17:35

Hi

Could you give me a advice on my system?
I think its not rounded and doesnt feels consistend.
Maybe its not that bad for the start?

My intention was to build a live rack thats capable of doing a mix of ambient and techno.
I in general, enjoy spherical tunes and percussion

Right now its Laniakea as main voice, ultra perc for drums and sgr 20 as variable voice for bassline, noise/drones or additional drums.

Right now I have Mimeophon but I consider to replace it with sealegs. I wonder if this change would give a benefit?

The 1 u is empty at the moment.

I like the ultra perc + sgr 20 but I think right now, that both are maybe to much at the same time.
Especially the sgr-20 is hard to tame.

Maybe I tried to cover to much ground?

Looking forward for your thoughts

Chris

EDITED Mar 18th, 16:41

I think you have all what you need. anything more will be luxury and G.A.S.

but if you have the money

Filters:
I like bastl Ikarie - 8 hp stereo filter with drive
or Winterbloom Neptune

Mimeophon, Nautilus or Sealegs could be an idea depending on your taste.

Morphagene or Nebulae

for great sounding percussion, SSF Ultra Perc is the shiiiit in my opinion

for dark stuff - SGR 20 from Knobtechnology
its my favorite new toy. Its a analog vco, noise maschine , Industrial drum voice, drone maschine
The vco is a variation of the buchla triangle and it has some buchlataste in it.

I think the SGR gives a new special flavour and im a big fan of it.
Sry if this goes to far, but I just want to share my euphoric

get a SGR 20 😁

Does the SSF Ultra perc replace the Ultra kick?

I had a run with the Ultra Perc and Im very impressed.
You can do great kicks and whole drum kit whit it.
It just makes me smile.

Im asking myself, if there is a need to keep the ultra kick, if I have a ultra perc
Honestly I didnt dig deep into the ultra kick. It just delivers a instant awesome kick, that is always great, but I didnt go much further.
I like it very much and it does percussion sounds as well.

What do you think?
Maybe you could tell me how you use them?
Maybe I overlook something and leaving the UK for the UP is a hastly decision?

Greetings

Chris

I really enjoy maths and also rampage
I think maths can never be wrong and many ppl started with it.

I would like to try the tip top Buchla 281t
Can someone who has it, explain whats unique on it?

I really like your case 👍
It inspires me.
A few very big modules and you even have space left 😁

I also think that a Matrixmixer would be cool to mix cvs.

Why so much external sequencers and grooveboes at a time?

I think the oxi is enough and perfect to sequence evetything e.g. your modular + syntakt and more devices

Or do you want to build several different setups?

I mean, it might could be to much and confusing to keep your eyes on all the stuff, to control it and even learn it all at the same time.
I may be wrong.

EDITED Feb 28th, 15:00

the racksize is much to small -
you need space for utilities

Better dont start under 104 hp 6u

Dual fx is not so cool for ambient stuff in my opinion

check out qubit and bastl, make noise and intellijel

what about a sequencer, sample and hold, lfo, envelopes, attenuverter....

bastl neo trinity has much of these in 8 hp with 6 outputs - for small systems

drop the dual fx, scales, mixup and talin

Here is a suggestion to start:
Later you could add a matrix mixer and more stuff in the empty top row .....

EDITED Feb 21st, 01:37

Hi :D

Im torn between these two

1. SSF Ultra Perc
2. SGR1806-20 Knob Technology

Has anyone a idea which one is good to get?
I can not get both right now :(
I know they are total different.

My thoughts are:
the Ultra Perc seems to me more like a full analog drum kit - nice sounding good to go - instand high quality drums for live purpose. Suitable for Techno percussion and also real-world percussion.

The SGR1806-20 seems to me to be very great for a kind of special analog industrial noise-drums with a raw flavour - like a analog BIA, with a huge sound palette and a kind of new very interesting character.

Im after a Ultra Perc for a while and now this amazing SGR1806-20 got my attention.
Blows my mind

I also have a Ultra Kick and I archieve to get also nice percussion out of it through modulation.
Maybe the Ultra Perc would replace the Ultra Kick. But will it be such a change and benefit?
I got a bit bored of using BIA these days, maybe I had it to long and Im more after analog sounds at the moment.

[ ]

EDITED Feb 13th, 23:58

Hi

I want to get a playable Live setup, where I can sequence, live sample and blend between recorded stuff and modular audio.

my idea is to get a oxi one
or
octatrack
or
deluge

to pair with a 104 7u case

My thoughts are

1. octatrack could be my sequencer + live sampler, to 1. record stuff from the modular into it or 2. blend live between recorded stuff and modular.
   Gear is quiet old, hard to learn and maybe bad sound quality?
   The sequencer is more oldschool and doesnt has the fancy blinking pads like the oxi :(

2. Oxi one seems to be very hands on to sequence everything, but I would need a other solution for live sampling and blending between recorded stuff and modular.
   What could be a alternative for this?

3. synthstrom deluge seems to be a compromise between both

Could you give me a advice?
Maybe there are other devices you can suggest?

Greetings

Chris

EDITED Jan 26th, 16:31

I record into ableton from the nifty case with midi to my audio interface.
Why does it not work?

.... but lately I'm not finding inspiration...

To much gear can be a burden :D
Ok, lets fix it with more gear, let´s say a:
Stochastic Inspiration Generator? :D

or Clank Chaos
- you just push one button = instant new random everything, with rhytms, melodies and stuff.
If theres something you like, you keep it - if not, roll again :D

Acid Rain Maestro could be cool, for rhytmic modulation, but its expensive
I enjoy "clank chaos" as a brain for a little system. But it can be very "chaotic" and you need to tame it :D

I would not remove the pams
It has so much to offer.
If you need logic - pams also has great logic operations in it.
It has lfos, random and much more

Your system looks to me to become a bit drum focused.
With pams you can do insane rhytmic stuff trigging and controlling the sampledrum and plaits.
If you use the logic, its totally awesome.

You could add utillities to combine with the pams and it blooms more.

On its own the Rack seems very uncomplete to me.
look for some basic modules like:
vcas, a filter, cv utillities, matrix mixer, function generators, lfos

you may could add a nice standard vco

https://www.modulargrid.net/e/bastl-instruments-ikarie

Check: Bastl Ikarie
8 HP - LP/HP Filter with Stereo VCA
+ Many features in just 8 hp

Its not orginal a DJ-filter but you can do the same + far more with it

Maybe this could suit you

I like it very much

EDITED Jan 1st, 15:37

I like the modules you choosed.
I think its a good starting point but more stuff will surely follow
PPl will say: "Get a bigger case"

Maestro is cool for (rhyrmic) modulation
Maths is cool, but I if its your only utillity it is to less
If you integate the minifreak you might spare the ensemble osc out
BIA for almost everything is nice

You would need a midi cv interface, if you want to control or sequence the minifreak or other synths with eurorack.
More utillity modules like attenuverters, matrix mixer, offsets, vcas etc
You could add a dedicated filter even if the Ghost has one integrated
Vcas

you need the exra intellijel output module for the intellijel case to get sound out of it.
Or a other output module for modular to line level output - or a VCA

wmd mscl?

Can anyone suggest a good VCO to pair it with OPERAT from patching panda?
What are you experiences with it?

These are candidates I have right now:

ONA - nano modules
ENSEMBLE OSC - 4ms
SPHERICAL WAVETABLE NAVIGATOR - 4ms
OSIRIS - modbap
PLAITS
RINGS
BIA

I have SWN - Its a very deep and versetaile module, that can stand by its own.
It has sequencer and modulation + chords on bord, so u wouldnt need a external sequencer.
Its very complex and deep
its wavetable and spreads in 6 voices

SWN is amazing - but as I read your comment im not certain if SWN or Spectraphon are what youre searching for.

Maybe just pick a more simple voice for layering?

Or what about 4ms ensemble osc? - I think it could be a good addition, and easier to control.

If you get the swn, I guess it will be more like a replacment than a addition to the drone grone.

I had the SWN in my main case - but I prefer to have it in a small rack to focus on it.
You can spend hours only using the SWN.

You can do drones, melodies, chord riffs, endless timbress to explore

As far I know, the Spectraphon is more to make new sounds of existing sounds.

EDITED Nov 20th 2023, 18:30

Hi :D

Im working on a Rack for Ambient + Techno

A portable Live + Studio Rack 98 hp 13u.
It should be my Rack for everything.
I have all the modules, but those in the 1u row.

It´s for this case:

https://www.casefromlake.com/product-page/12u-98hp-flight-handlebag-eurorack-powered-case

I think its good portable, light with much hp, in a nice form factor.
I dont like to take 2 Mantis or something like that.

Do you have some thoughts, advices, improvement ideas?
To much Modulation?
Big faults?
What lacks?

Greetings

Chris

I think it´s pretty cool. Looks nice.

Maybe you could consider to spare the buffered mults and use stack cables, if you dont like it to have it in the case. Would save you 8 hp. But I guess you thought about that, already.

Maybe a 4ms ensemble oscillator, for drones and chords?

i picked up a 100 grit from schlappi engineering.
I have so much fun with it

Its a filter/distortion and you can play it as a noise/distortion instrument

Check out schlappi engineering - they make awesome modules
i hope they do more stuff soon

Check out teleblender from error instruments

I can not imagine what happents if you combine them both. I really want to try it

The lxr 2 is also available as a eurorack module.
You could use your push and pc to control the eurorack with midi.

If you just want a new drum maschine, be aware that its expensive in modular + you have a learn curve. Getting a desktop lxr 2 is saving money and time.
But building a own drum maschine is much fun, I think.

For me, creating drums and rhythms in modular is much more fun than using drummaschines.

Im also still in the beginning, but I guess the case is way to small except you are totally focused for a certain porpuse and know whar youre doing.
like building a additional FX or noise Box etc for your main case.

I dont know which external gear you want to pair with.

I guess:
1. a midi/cv-interface to pair it with external gear like a laptop or digitakt

like hexinverter mutant brain or others

2. a nice filter
3. vcas
4. distortion / saturation
5. a minimum of dynamics and processing
6. lfos

look out for function combos like:

bastl ikarie = filter + drive+ vca

cosmotronic delta is a smal nice vca/envelope

a blackbox external or in the case could be cool for sampling drums if you dont use a laptop or digitakt. - I prefer it over the sample drum.

if you want to explore drums maybe you consider to get different drum modules with different synthesis styles like physical modeling, analog, fm etc - I guess more drum stuff will surely follow.

You need space for utilites like attenuverters
and stuff to scale, shift, offset and mix cv. - you will see what is missing while you are in the process.

I made the hard experience to start with a smal case. Now I pair 3 different sized cases at the moment.

Sure I can alter them for special purposes, but right now, Im looking for a nice all in one rack and to get rid of the others.

Better dont go under 7u 104.
And calculate some trial and error

EDITED Oct 16th 2023, 12:49

qu-bit is releasing a new granular module "Mojave"

It seems to be not a delay and focused on granular live processing.
But it seems to be inspired by beads.

Maybe think about, which modules you already have to pair with.

I saw a Morphagene in your rack.
this can also add some tape character and effects, but as far i know without saturation

I like the mimeophon, because its nice to modulate, good to control and very playable.

I grabbed a beads last week. It appears very versatile to me, but right know I dont know how to tame it. I guess you have to know excactly what you are doing to control it. But maybe I just need more time to learn it.

I guess Beads can replace or substitute other modules. For example, I wanted to buy a Qu-bit Data Bender, but I realized that I can do similar effects with beads stutter- / glitch mode.

At the moment, beads acts in my setup like a data bender for unpredictable random glitches and broken harddisk error- effects

To me a complex vco is an absolute must.

My favorite and goto is the DPO. For wavetables I use the Shapeshifter. I also have 1010 music MOK Waverazor which is very effective but a highly specialized dual vco. I also have the Bataleur by Birdkids which has dual vco capabilities.

I was using the Furthrrrr Generator and it really is fantastic, however I decided to let it go and stick to the DPO, it is when all is said and done the character that i like the most and thats ultimately what it comes down to for me, taste.

But for less than 120 euros you can get Doepfer A-110-4 Thru Zero Quad VCO SE.

With that one you can start experimenting with what you already have like the guys are suggesting.

Good luck
-- GunnarWaage

I heard that the DPO sounds like rubber and is limited to this character. I guess its not very versetaile?

For what do you use the DPO?
Can you tell me some more of its benefits, suiting to your needs?

I guess you have all modules to get a huge kick.
FLD6 and crb4n are well for it.

Maybe you need to find the right compression or a better sidechaining.

I guess one general approach is:

adiditional wavefolding on the kick + modulated reverb/delay on the rumble + the right sidechaining + compression

1. I use befaco percall. I do wavefolding on a nice vco and send it to channel 1 of percall to get a instant kick. I use the multed copy of the kick without wavefolding and send it through a delay/reverb (mimeophon) to create rumble. I modulate the delay and reverb with synced lfos. - I send the rumble into channel 2 of percall to get it ducked against the kick. Addiotional i can modulate the strength cv of percall to get rhytmical chopped beats. End of chain is mscl for compression.

2. I use bastl waver as a drum bus. I send the kick of SSF Ultra Kick (which offers a finished kick + dynamics) trough Channel 1 on bastl waver to add some wavefolding/distortion. I send my Rumble from BIA or other modules through a delay/reverb and modulate it with lfos (mimeophon), then I send it in channel 3 of waver - to use it´s internal vca to sidechain it against the kick with the sidchain-envelope from Ultra Kick. With waver I can modulate the wavefolding and also break it rhytmically with the break cv, to get nice effects. End of chain is mscl for compression.

EDITED Oct 1st 2023, 15:57

have you thought about patching a complex oscillator with the modules you'e already got... it'll probably get you a more distinctive and different sound than buying an off the shelf one... I'd do some research on this and play around with them, at the very least it will help you narrow down what you want from a complex oscillator, in terms of the built in functionality - wavefiolder, fm, am, pm etc....
-- JimHowell1970

Yes, Im also tinking about to patch a complex oscillator, but I didn´t figure out how to do it allready.
I would be very glad to get some tips to do it.

The idea is great and what you wrote assure me to give it a try. I guess it´s really more distinctive, different and individual in sound - and will help to learn about it and what I want.

My first idea was to feed 2 vco´s into bastl waver. Its a 3 input mixer with wavefolding, 2 vca´s and ringmodulation capability. Like nano modules Ona + waver +a through-zero VCO. But I don´t have a through zero vco at the moment.
I also got a nordular Wyrd matrix mixer recently, maybe that could be useful.
But I guess, thats not enough? - I need something to apply crossmodulation - or maybe with some clever patching, with stackables?

Im also trying out a Benjolin V2 at the moment. I guess this is also a kind of complex oscillator module?

Hi :D

Im curious to get a complex oscillator.
I have already some drum modules and oscillators like: 4ms SWN, Ensemble Oscillator, ONA, BIA, Ultra Kick, plaits, plonk ..... and many more

I was thinking about to get rid about many modules and replace it by getting a versetaile complex vco for sounddesign and recording - with a wide sound palette and great sound.
Something that is not a signature sound module - meaning, like for instance - every patch with odessa sounds noticble like odessa in it´s soundcharacter.

Some questions are:
1. Is it worth to get a complex vco?
2. Do I get sounds out of it, which I wouldn´t get with the modules I allready have?
3. I heard about Brenso. - Can you recomment a good compex Vco to me?

Greetings

Chris

For Ambient fx, I like to drop in to check out:

Make Noise Mimeophon - I have great fun with it. Nice to apply modulation on it
but is matter of taste

Mu Beads - as well

Thank you for the new options,I need to research something new as I have been fixated on Qu Bit Aurora for a few weeks now. You are correct, that with my lack of HP I need modules that can do many things - it still is hard not to want an Aurora though...oh life is hard.

-- EuroBadger

I also got a Aurora for the purpose of Ambient stuff. You should be aware, that Aurora is not a easy module and very special. Its not a module to feed just anything in and get ambient stuff out. I guess it would be at first better to get a more versetaile fx module for starters. If you get Aurora and realize that you cant tame it - there is also a alternative firmware to use it as a conventinal reverb. Its worth to check it out in depth before you buy it - what it does excactly and if its suitable for your taste.

I consider to go for a matrix mixer.
I want to get two, 1. for mixing cvs and 2. for mixing audio to fx modules.

Wyrd from Nordular (10 hp) has caught my attention for now, because I doesn't have much rackspace left.

The bear modules matrix mixer is also an option. I get 2 for the price of 1 Wyrd, but its much more space.

Some other ideas for a good (small hp) matrix mixer?

EDITED Sep 5th 2023, 14:03

some advanced tips:

1. place one maths in the center as the brain, to control the others
   If this is not enough, add various behringer brains. Its a no brainer.

2. You could use behringer Radar to control mutable instruments ears and ears to control the after later audio auris. If you combine it with the OR outputs of all abacus modules, you can track passing combat-jets. - but only after passing through, with 2 % accurency. This is way late, but it actually does something, if you are lucky.

3. Drop all abacus and place it with behringer neutrons. You will see, that it doesnt fit in the rack. This will result in a not existing neuronal network, covering nothing, but sleeping circuits, resting in eternal mysery. This could be the peace and happiness you are looking for - if not, add some more behringer brains.

EDITED Aug 30th 2023, 09:06

what about 8hp modules, like the bastl ikarie (stereo filter) + bastl basil (stereo delay)?
or maybe using the steady state gate as mono filter in 8hp?

They seem to be good gapfillers.
I would like to try them.

I like the Mimeophon, its straight forward.

I didnt get along with Nautilus, I experienced it to be hard to tame and a bit mysterious to handle.
But if you dig deep I guess it can be nice.

Maybe you could drop the cellz and chipz and the spring reverb + get a other smaller mixer like (befaco stereomixer.)

The east beast and west best, would be probaply be better to dont mount in the rack to save space.
Maybe start to choose one first.

Utillity is more important, you can add additional voices later.

Maybe consider a bigger rack, like tip top mantis. I also started with nifty case. Now its just my additional desk rack for fx.

Maybe a good bread and butter lfo, like batumi, maths
delta v 2, wobbler 2

check out Bastl Instruments. The have useful stuff.

I love "Bastl softpop 2".
It is more expensive, like 600 euro, but its a bit like something between east beast and west pest.
It has so much to start with.
Sequencer, filter, waveshaper, external in for processing, crossfader, mult, sample and hold, you can switch between analog or digital vco.
and its very small, like a volca.

Add a few utilities and fx and you are ready to go.

EDITED Jul 19th 2023, 12:10

Check out BASTL Softpop 2 - It has so much features in little space. -
Also make noise 0-coast

You could take on of them and build your system around it - just adding some utillities.

You can use them also standalone outside of rackspace - so you could take a smaller case only for utillities and pair it with them.

If I would start now from 0 - I would do it that way.

Otherwise

Did you check BASTL Ikarie? - also a nice filter with some tricks on it.

If you get BASTL Basil, you can also switch the firmware to the pizza VCO.
BASTL Pizza has many stuff like FM and waveshaping/wavefolding.
Or get pizza first and try out the basil-firmware later.
You maybe dont need an extra waveshaper/folder module then.

I have the ONA VCO. I like to mix the different waveforms with Befaco Percall.
You can also use it as LFO.

Ornament and Crime or Disting could also be an idea, to try out or to add different functions with little space.
You can use Ornament and Crime, as quad turing maschine, Envelopes, sequencers, quad quantizer and many more.

Not to hijack the thread, but curious if you had a favorite between the two? Both have peaked my interest, but I've not had the chance to try either.

-- HGsynth

I think, you can archieve similar results with both, for ambient drones, melodies and chords.
I love both.

In short:
If I want do dig deep and focus on one module (maybe for hours) in the patch - I take the SWN.
If I want instant chills - I take the EO

I think the sound of EO is very special and it sounds always amazing no matter how I twist the knobs.
I love the character of bright and spread sounds on the EO.
For my opinion the EO is more fast forward for instant good results. I like that it is based on sinus waves and spreads into 16 voices. You can do very ethereal and bright sounds and even dark twisted sounds with it - very quick.

The Spherical Wavetable Navigator is a very deep and complex module. It has a longer learning curve - and it is more a closed system to run on itself. You can spend hours just tweaking it and discovering amazing sounds without any other module involved in your patch. It has 6 independent voices, based on wavetables that can be morphed with 3 dimensions.
The sound is also amazing and the possibilities are endless.

I think the SWN is sometimes a bit hard to tame, if you dont know excactly what you are doing.

Both have quantization and chord spreads.

I use the Ensemble Oscillator mostly to get a instant evolving drone going and combine it with more sound elements.
I use the SWN mostly to start a complex sequence as a main leading sound theme

EDITED May 22nd 2023, 20:23

I didn´t see first that you already have some modules.

So I would do maybe something like this with it:

https://cdn.modulargrid.net/img/racks/modulargrid_2260218.jpg

You can also swap the firmware of basil to pizza, and you have a fm synth with waveshaping and stuff.