Plaits

Mutable instruments Offer Details

Created
Modified
Price
$180.00  
Seller
 
Region
USA  

Description

Works great and includes a power cable.
REBOOTING A CLASSIC
Plaits is the spiritual successor of Mutable Instruments’ best-selling
voltage-controlled sound source, Braids. Not just a mkII version: its
hardware and software have been redesigned from scratch.
Just like its predecessor, it offers direct access to a large palette of
easily tweakable raw sonic material, covering the whole gamut of
synthesis techniques.
SIMPLICITY FIRST
Gone are the screen, menu system, hidden settings, and the long list of
somewhat redundant synthesis models.
Thanks to additional CV inputs, and to the use of three timbre-shaping
parameters per model, Plaits is straightforward to use, and much closer
to the ideal of one synthesis technique = one model. What were
fragmented islands of sound in Braids are now part of a continuum of
sounds.
READY FOR PERCUSSION
Patch a trigger generator or sequencer into Plaits’ trigger input and
instantly use the module as a percussive source thanks to its built-in
virtual low-pass gate (LPG).
An internal D (decay) envelope generator is normalled to all unpatched
CV inputs. Just turn the corresponding attenuverter to add pitch, timbre
or morphing modulation. And if plucks and snappy hits are not your
thing, patch your own envelope or CV source into the LPG CV input.

16 deep synthesis models
8 synthesis models for pitched sounds

Two detuned virtual analog oscillators with continuously variable
waveforms.
Variable slope triangle oscillator processed by a waveshaper and
wavefolder.
2-operator FM with continuously variable feedback path.
Two independently controllable formants modulated by a variable shape
window (VOSIM, Pulsar, Grainlet, Casio CZ-style resonant filter…).
24-harmonic additive oscillator.
Wavetable oscillator with four banks of 8x8 waves, with or without
interpolation.
Chord generator, with divide down string/organ emulation or wavetables.
A collection of speech synthesis algorithms (formant filter, SAM, LPC),
with phoneme control and formant shifting. Several banks of phonemes or
segments of words are available.

8 synthesis models for noise and percussions

Granular sawtooth or sine oscillator, with variable grain density,
duration and frequency randomization.
Clocked noise processed by a variable shape resonant filter.
8 layers of dust/particle noise processed by resonators or all-pass
filters.
Extended Karplus-Strong (aka Rings’ red mode), excited by bursts of
white noise or dust noise.
Modal resonator (aka Rings’ green mode), excited by a mallet or dust
noise.
Analog kick drum emulation (two flavors).
Analog snare drum emulation (two flavors).
Analog high-hat emulation (two flavors).

Dual output

TheAUXoutput carries a variant, sidekick or by-product of the main
signal.
Patch bothOUTandAUXtoWarpsfor weird hybridization experiments!

Internal or external modulations

Dedicated CV input for synthesis model selection. No need to activate a
mysteriousMETAmode!
An internal decay envelope is normalled to theTIMBRE,FMandMORPHCV
inputs: the amount of internal modulation is directly adjust

Mutable Instruments Plaits

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