If it works for you, that's the most important part.
One thing I'd say is to get familiar with all the functions in the Disting. That's a great way to learn what else people mean when they talk about utilities. These are also what help you really break the rules of signal flow and create unique sounds and ideas.
In terms of modulation, you do have some good stuff, but the Maths is really the only hands-on modulation here. Look at stuff where you get as many functions as possible with their own knobs and patch points to control LFO rates or envelope shapes. It's nice to have some more chaotic, organic, and free modulation to complement the programmed stuff from the Zadar and the sequencing. And embrace randomness, S+H, and noise - they can do a lot more than just make stuff squiggle and whoosh in this environment, and can help get things going quickly in musical ways.