Post

Yep, the C-L stuff is pretty unique, mainly due to the different ideas lurking inside them. The best description I can think of would be that what you get from them is sortakinda like they were created by someone using Don Buchla's design sensibilities, but the sound production hardware has more in common with Stanley Lunetta's uniquely raucous circuitry. As such, Peter B.'s (and the Lorre-Mill stuff, which is a continuation of that) instruments are very unique in how they splice those very different sonic paradigms together.