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Slow build. Switch from Sin out on DPO ch2 to Final out at some point. Vary pitches of DPO channels to create different beating patterns. Increase Phonogene input gain to create "snare." Vary reverb parameters.

Phasing: Mysteron triggered once with full regeneration, recorded into Phonogene, played back slightly slower, mixed with original signal.

EDITED Feb 7th 2015, 00:12

Notes:
CV Bus used in place of stackable cables & for master output to Pro Tools
Mysteron-Quantize mode; bowed-sound
DPO-OSC1 in sync mode; no modulation
Optomix-Levels adjusted throughout
Pressure Points-Ch1 controlling pitch of Mysteron & DPO in unison, set to b6-6-b7-1
Erbe-Verb-Speed set just below audio level; mixed 100% dry at beginning, then gradually mixed to 100% wet; speed, depth, pre-delay, tilt, absorb, and decay adjusted at end

EDITED Nov 9th 2014, 04:55