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it looked nicely build.

that it looks nicely built (unless you are using a magnifying glass) is not a great indicator of well built!

Tho' a few people on some modular communities has the same results with theirs.

yes I know - however, I don't necessarily take a lot of notice - what someone hears as noisy - almost all analog is noisy compared to the mixer in a DAW!! - or 'unacceptable bleed - see above responses from both me and @Lugia - again compared to bleed on a DAW mixer (non-existant) is user perceived at best

Very often, the "hiss" comes from the source, at my place bc I often use saturation or overdriven signals, that is where I use enveloped VCA just before the mixer's inputs, when needed, to get rid of the noise, when the muxer is quiet, that is a cool technique to get a clean-yet-overdriven signal. A bit off topic, sorry..
-- -ADR-

as I said my gain staging may be different than yours... have you tried using the built in vcas?

Thanks for the details, mine was a second hand, no informations bout who made it, and I am not into soldering but it looked nicely build. Tho' a few people on some modular communities has the same results with theirs.
Very often, the "hiss" comes from the source, at my place bc I often use saturation or overdriven signals, that is where I use enveloped VCA just before the mixer's inputs, when needed, to get rid of the noise, when the muxer is quiet, that is a cool technique to get a clean-yet-overdriven signal. A bit off topic, sorry..

EDITED Today, 13:55

I don't know... I built mine (smd pre-soldered), but I'm sure Mangu's soldering is at least as good as mine, if you bought 'factory built'...

maybe my gain staging is better... maybe my hearing is worse (I'm 52, so possible)... maybe I don't run the output at a very high volume...

as I've said I only really notice bleed on the send/return - if channel send is up ad then I mute the channel - I can still hear the channel in the send - but this is to be expected when send is pre-mute!

Not a perfect module for me. With CV inputs on top, cables are on the screen and the knobs below.
I prefer buying a second FX AID XL.
-- Jihel

you could always turn it upside down....

Not a perfect module for me. With CV inputs on top, cables are on the screen and the knobs below.
I prefer buying a second FX AID XL.

Anyone having issues with unstable pitch or pitch out of tune?

Hi
i have 3 feature requests / thoughts

1) position of pasted module
currently the pasted module is pasted on the next free space on the very top left.
it would be very useful when you track a click event and place it exactly there after pasting.
this would be especially helpful when rearranging a large rack from scratch with 2 browser windows.

2) "move row" feature
the existing "swap rows" feature is nice. but in some cases its tedious to reach the goal.
for example: adding an empty row at the very top of a 5 rows rack requires a lot of swap-row operations

3) links to deleted racks
its totally fine to get a 404 when trying to view a deleted rack.
but it would be nice to have all users public racks as a fallback

thanks

@modulargrid
first of all - thank you for the great site!

What are your thoughts?

a few days ago i decided to give my rack (4 rows x 197 HP) a full re-arrangement from scratch.
i started from zero (empty rack) and it was very very tedious to add & arrange all modules
so much scrolling/searching/moving which took hours

it would have been less tedious when i already have known the exact ordering starting from the top left.
but in this creative process i wanted to place some modules and fill gaps afterwards.

today i had another idea:
i double the width of my existing rack
then i can move the modules from left half to the right half
there is no need to use the search form or to scroll down to the module list
i always see which modules has to be moved to the new arrangement until everything is done.
when i am finished i set the doubled HP back to the real HP

Unfortunately i was not able to try this approach because doubling my rack HP exceeds the limit of the allowed HP :/

My thought:
Consider to increase the standard limits of rows and HP but only for a short period of time
so a full rearrangement procedure would be less painful.
For example with a warning "CAUTION: Your Rack will be downsized automatically in 3 days"

Another thought:
Have you ever considered to make the Editor open source?
i would be happy to fix several javascript bugs or at least give it a try
pretty sure there are others who would be glad to help improving the editor

Best
engine

EDIT
just noticed it is already possible to copy/cut/paste modules between browser windows
awsome - thank you!!!

EDITED Today, 09:40

how is that even possible mine used to bleed and a lot other people's TM too, and not yours ? same components, no ?

EDITED Today, 07:23

I had the TEX MIX and the master section, it's a nice little slution, but TM is a very bleedy and noisy module.
-- -ADR-

mine isn't either...

60-hertz hum on his records.
-- Lugia

also known as "warmth"... hehehe

I had the TEX MIX and the master section, it's a nice little slution, but TM is a very bleedy and noisy module. The big difference with the Feedback one is the sound, the built quality and the overdrive possibilities.
And the aux are pre fader...

Messy...wouldn't a "third hand" make more sense for soldering work?
-- Lugia

It can, but I've tried a lot of things and like this best.
I prefer using pads like this for any board less than, say, 128x128 mm. Two reasons;
- It's easier than setting up the PCB holder/3rd hand
- I have never found a PCB holder I like. Always something irritating about them, so I use these.

Lager boards, like a guitar amp board, I'll use a PCB holder, but smaller stuff (like eurorack boards) it's so much easier to just hold it on one of these.

and won't catch on fire if the soldering iron gets dropped on it.
-- Lugia

Neither will these. This material is rated to 565 dF, and as you could see at the end of this vid pressing my 675 dF tip against the material leaves no mark or damage. Really high temp rubber.

EDITED Today, 05:28

I've been looking at the Rangoon from Calsynth,
it's converted to sliders for most controls, same form factor as a Monsoon.
may help with tuning stability/ not nudging the tuning out of place
-- fretless19

Thanks for that - looks like an interesting option.

while I would agree that having the original ESPECIALLY if its going to be discontinued is a better choice may I point this module

https://www.modulargrid.net/e/st-modular-yaksha-s-fate

I have it and its nice for what it is. According to its blurb its setup in such a way that all “tweakable” parameters are on top
with bigger knobs etc have all others that will affect tune and harmonics more subdued.

I mainly use my uRings clone for either percussion or non-melodic cases where tuning etc doesnt matter much

Anyway just wanted to offer another module to have a look.. to be frank though I would prefer at this point a full sized one and will at some point try to procure one.
-- mamonu

Thanks for that. In the end, I went for the OG and couldn't be happier. That said, I'm still on the look out for a smaller rings clone for a portable skiff. Did you pick up the original? How's it working out for you? Cheers

Exact-a-mondo, Jim...you learned to use the leakage and other garbage and accept that as something critical to your overall "sound".

Sam Phillips of Sun Records fame always used to get ripped on by local Memphis DJs for having 60-hertz hum on his records. But if you're cutting tracks from the likes of Johnny Cash, Carl Perkins, Jerry Lee Lewis, and of course Elvis, you don't change the overall sound because clearly, it works. Plus, the very first mixing work I did back in Nastyville was on a now-coveted Audiotronics 16/8/2 desk that cross-channel leaked like a mo'fo. People into the vintage thing, however, have made those original desks into something of a spendy "cult" item. With leakage.

Messy...wouldn't a "third hand" make more sense for soldering work? After all, they're cheap, don't involve chemicals, and won't catch on fire if the soldering iron gets dropped on it.

Working on it...but I have to admit, this case size is pretty inadequate for the task at hand. The width is one of those even-numbers that doesn't translate nicely into module spans due to the various conventions about how to deal with panel ergonomics. Plus, rebuilding this into something that hits that zone you're looking for looks like it'll be an ugly chore because the original build used a lot of small-width modules...and they're no fun to deal with when the patchcord snarl gets really huge. Also, that really blows the whole point of using lab gear, because we've (ie: those of us using that to "extend" the electronic palette) gone to that to get better control/ergonomics as well as arriving at wholly new sounds.

Moving to something like a Mantis would be better. Better still would be B.'s 2 x 140 hp cab, which is cheap and spacious. That would allow a better module complement, plus some interfacing for actual test gear if you opt to dive into that. Also, you really do want a "typical" voice in there so that, when that's needed, you'll have that to screw around with as well as other processors.

hahaha I use an old notebook!!

@Jim with the ST Mix, Doepfer VC Mix, the Matrix mixer and the Planar that should be enough 🤣
-- finnglink

probably... only you'll be able to tell!

And it's not like consoles are always going to work perfectly anyway. Back in the early 1990s and before, channel leakage is something that you had to watch out for, and it wasn't "NO leakage" back then, but "manageable leakage". I recall reviewing a Studiomaster Diamond 163 back in 1997 that had some very obvious leakage on high-level signals, and that was the sole flaw...otherwise, it was a killer little live desk.
-- Lugia

and even when recording bands in high end studios - there was always leakage on the microphones...
it's not the end of the world - & that's just what's supposed to be on the tape - there are many famous songs where there's an aeroplane flying over or a car driving by... big deal...

there's a bit but as you can use the vcas on the mono channels it only really affects the stereo channels - & at least for me it's only really present on the returns - so you could just turn the sends down before muting...

-- JimHowell1970

And it's not like consoles are always going to work perfectly anyway. Back in the early 1990s and before, channel leakage is something that you had to watch out for, and it wasn't "NO leakage" back then, but "manageable leakage". I recall reviewing a Studiomaster Diamond 163 back in 1997 that had some very obvious leakage on high-level signals, and that was the sole flaw...otherwise, it was a killer little live desk.

It needed a name and this is what came up in my head when Soundcloud asked me. I've had to build in a couple of breaks in my one-track-per-day project for various reasons in June. This is the last track before my most recent break. Let me know what you think!

Or you could add two signals to one L/R pair and have them use the same level control. So two 4 channel mono mixers with shared controls. Never thought of that.

@Jim with the ST Mix, Doepfer VC Mix, the Matrix mixer and the Planar that should be enough 🤣

EDITED Yesterday, 21:32

STMix can function as two mono mixers if you dummy the R inputs of the left inputs you want to mix separately from the rights.
It will create two distinct outputs to L and R outs.
L1 X
_ R2
_ R3
L4 X
L1 and L4 go to Lout, R2 and R3 to Rout. You can add the Aux unattenuated to either.
It’s a bit of a workaround but my point is you get a lot of bang for your buck with this module in a very small space (6hp).

the only thing about the tex mix is that i heard there is some bleed through with the mutes

-- Broken-Form

there's a bit but as you can use the vcas on the mono channels it only really affects the stereo channels - & at least for me it's only really present on the returns - so you could just turn the sends down before muting...

I use a high temperature silicone rubber soldering helper from Austin Ribbon Mics to support my soldering.
However, I’ve read some comments that people would like to use this, but A.R.M. does not ship to their country.

Well, how about making one? I bought some silicone rubber from Amazon and built my own.

Pretty simple, pretty messy, and in the end pretty useful.
If you can’t buy one, or if you just want to make a custom one for yourself, here’s the process.
(Making it)[]

I've got a tex-mix & really like it - inexpensive, DIY able (panel furniture & headers only) and very good for the price - and the douts are a great idea - saves stackcables for other things!
-- JimHowell1970

the only thing about the tex mix is that i heard there is some bleed through with the mutes

I've got a tex-mix & really like it - inexpensive, DIY able (panel furniture & headers only) and very good for the price - and the douts are a great idea - saves stackcables for other things!

to bad it dont have direct outs,so you can multi track record into DAW(like on the D.O.MIXX)
-- Broken-Form

stackcables?
-- JimHowell1970

ahh yes,didnt think of that,been thinking about changing my D.OMIXX for this or the Tex mix

is it possible to limit people from re-listing the same module multiple times? there are 2 people abusing the system and re-listing black panel erbe-verb multiple times, almost every day.

to bad it dont have direct outs,so you can multi track record into DAW(like on the D.O.MIXX)
-- Broken-Form

stackcables?

to bad it dont have direct outs,so you can multi track record into DAW(like on the D.O.MIXX)

A very good multiple from Synthrotek, the MST ’07 buffered multiple.
Pretty straightforward build, and pretty quick.
And the results are just what I wanted, a very accurate reproduction of the input wave. Even better, one input can be echoed out 14 outs, or a number of combinations of ins/outs, making it very useful
Recommended.

Build

personally I'd go for 2 smaller mono mixers - more versatile for cv - & cram a matrix mixer in too

I've thrown the ST Mix back in. I've never did much CV mixing, maybe I should :D
The Raiju had to go, but that isn't even available yet, so not that painful.

Could you list what all the possible input assignments are ? thanks!

I was looking for a Multi Delay for quite a long and it’s in my rack now. There’s a lot to learn with it like the Bark. Here it’s making all the organic noises with the Bark association and it’s animating the HO drone. So here’s my first test with it :

great! thanks for clarifying :)

Does this module track 1V/o? Can’t find any contact info for the manufacturer.
-- adore1096

Yes it does, -5V to 5V on the sustain/frequency CV input ! Oh man I should really work on my description-making skills :)

Does this module track 1V/o? Can’t find any contact info for the manufacturer.

Befaco STMix is DC coupled. It will mix CV as well as mono and/or stereo audio. Mono input on left channel is copied to right. Best bang-for-the-buck in mixers at four stereo channels and a fifth aux-in.

@JimHowell1970

You're right, kinda. I had a Befaco STMix in there, but I removed that, because there is nothing stereo in there. The Planar 2 also functions as a very hands on 4-channel mixer, so looking at the sound sources that should be enough (for me at least).

mixing is not just for audio!!!! get some dc coupled mixing in there for modulation!!!

The midixo is just a dummy, that'll be a 2HP DIYed panel with a TRS jack, as a breakout-module for the Spring Reverb Tank.
-- finnglink

makes a bit more sense...

@JimHowell1970

You're right, kinda. I had a Befaco STMix in there, but I removed that, because there is nothing stereo in there. The Planar 2 also functions as a very hands on 4-channel mixer, so looking at the sound sources that should be enough (for me at least).

The midixo is just a dummy, that'll be a 2HP DIYed panel with a TRS jack, as a breakout-module for the Spring Reverb Tank.

there doesn't appear to be enough mixing to me - I'd want more than the matrix mixer (good call btw) and a single doepfer quad vca...

what's the midixo connected to? I don't either an expert sleepers midi capable module or any other midi module in the rack? seems superfluous to me!

Hi everybody,

I've built this module and it's wonderfull.
Through hole componants easy to find.
Not calibrated yet but if makes marvelous noises.
The chaos section is a great idea.
Love it.

For Gargield, it needs 5v.
Add it to your list.

Many thanks to Rubben to create this.

Im looking for some thoughts of y'all.
I went into modular the wrong way and am now sitting here with a ton of modules that are not fun or just don't make sense. So I'm slowly starting to conceptualize a new rack, with a few modules I already have and some others, that make more sense.

This isn't supposed to be a full synth voice + sequencer or a techno drum machine, more an interactive yet abstract effects and sound machine. I took some inspiration from Hainbachs Test-Equipment Modular and paired it with some of my own ideas.

I'll be doing a lot of pinging, feedbacking and processing of external signals (Synths, Voice, etc.). While I have some "lo-fi-ish" effects on board, I will be using outboard gear and software for effects, compression, eq and mastering.

I just want to hear what you think. Am I missing something essential? Would you give this rack a play?

*That TRS 2HP thingy on the right is supposed to be a breakout module for the spring reverb, so I can mount the tank on the outside. I'll diy that.

EDITED Tuesday June 28, 13:44