• Ears receives audio from M32, which is being driven by its' own internal sequencer
  • M32 is also given a direct out which is summed at the Mix3 to a single mono output
  • Rings receives audio input from M32 via buff mult, but has its own pitch information coming in the form of random quantized cv's produced by the Disting F6 algorithm, which advances every time it receives a gate from Ears (aka every time M32 input audio goes above the 4V threshold, highly Gain knob dependent)
  • 2 AD envelopes from Peaks in Split mode handle various modulation tasks in Rings and in Maths
  • ADM10 Kompressor, first use of the ADM10 as an ACTUAL compressor without Makeup Gain, works great

M32 parameters

  • sequence is a saved set of pitches, mostly C's and G's in different octaves
  • sequence length alternates throughout the recording between 1, 3, 5, and 8 steps

Disting F6 parameters

  • not much to report, other than Z knob is manipulated throughout the recording to either open or freeze the shift register pattern, which is set to 8 steps long