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EDITED Feb 27th 2023, 07:23

Still overkill, but it seems like Befaco CV Thing will do Midi clock
https://www.modulargrid.net/e/befaco-cv-thing

Too bad the VPME.de trig31 doesn't seem to do Midi clock. Just the right amount of kill otherwise.
https://www.modulargrid.net/e/vpme-de-trig31

Or set and forget a Disting Mk4

EDITED Jan 12th 2023, 05:03

I wish I could filter/sort by whether a module is in the rack I am currently viewing. This would mostly be useful with the "My Modules" tab while editing a rack. When I am rethinking a rack layout, I'd like to quickly pull up my modules that are currently not in the rack, so I can see what I might want to swap in and out.

Not sure how generally useful this feature would be, but as someone with more modules than HP and a frequent rack rearranger, I would use this feature pretty often.

Hi there, first time actually posting here.

I’m in the starting phase of curating samples to fill in my Lubadh after I downloaded the v.2 update.

When looking at my racks this should come as no surprise that I tend to stick to a few different brands.

Sometimes I do like to think about theoretical specific purpose cases.
This idea came to me when I Watched the instruo v2 firmware update video and I noticed that when demoing melontron mode that Jason demoed it in polyphonic mono. A couple of days passes while I’m working night shifts and rewatch the video that in theory it should be very possible, by using only instruo modules to make the same patch in stereo, utilising both decks on a Lubadh in one shot mode.

The full build from Left to right is as follows;
1(f), Harmonaig, Tain,Tanh[3], Lubadh + expander, usb expander, 2(f), second Lubadh + expander, carn, cuir and lastly a power module, preferably an instruo one. With 2 x 2hp instruo blanks just to complete the look.
Specs:
Hp: 104
Number of modules: MG says 16, I don’t count the expanders as modules, so 11.
Power consumption: 960 mA +12v. | 540 mA -12v| 0 mA 5v.
Depth: 42mm.

Harmonaig would be altering which reel it will be triggering with the help of Tain and duplicating the cv out of harmonaig you would have the reels alternating from left to right when playing the keyboard. Having an 1 f to manually modulate the harmonaig, seeing as Jason did it by hand in the demo video.

First Lubadh:
This is the main brain and sound source. Primarily
Set as mode (A) melontron mode for obvious reasons. Mode(B) would be set to sequencingpoly, I haven’t had the time to try this out yet, but it seems to fit this builds purpose.

The Larachd serves 3 purposes in this patch. First purpose is to be used as a sampler for the first Lubadh, second would be as a microphone, combining it with a portable recorder with a pop filter would let people blessed with confidence and talent enough to sing. Put on an extra performance when recording onto the second Lubadh. Adding the Tahn[3] to compliment the Larachd.

The second Lubadh; I know, a bit unrealistic to own two lubadhs unless you are Jason himself. this Lubadh is simply going to work as a dual record deck, using preset (a) tape looper and (b) broken tape. Knowing that the Mellotron was made in 1963, I cannot imagine mr Mc.Cartneys mellotron actually sounding as the day it was made, since tape decays over time the presets are necessary to complete this builds aesthetic sound. Furthermore; Having a 2f fader to adjust the tape modulation per channel seemed like the perfect fit.

last two modules is a carn and a cuir, for audio mixing and audio output.
I haven’t tried out the Carn, so I’m not sure if it’s a good fit for the rack, but a mixer on paper is worth gold. Using it simply to add as a mixer for larachd could be the clue.

-N.

It's an active (powered) LPG, not passive like the Takaab, so yes it works well responding to CV. However bear in mind that its response is logarithmic, so can be a little trickier to get the shapes you want unless you're using an envelope that has a good level of dynamic control.

Thanks but it's overkill ! Looking for simplicity..

It might be overkill, but the Westlicht Performer does that. I use it all the time to sync my modular to my Boss RC-5 Loop Station.

I also own a Viol Ruina. I hated it for quite some time, because it behaves strangely, most often. I had the same problems you described. And yes, the filter out is pretty low volume. You basically need the Mangle to push the level up. I had the module laying around unused for months, before I gave it another chance. And then somehow it clicked for me. Now, it's an integral part of my core setup. I mostly do parallel processing with it, as I can control the amount of crazyness it brings with it, that way. I know how to push it, to get what I want from it. But I'm sure, there's even more, as it is such a beast, in a positive way.

EDITED Jan 11th 2023, 23:37

Hi friends,
I'm looking for a eurorack module (or any simple thing) that would allow me to send through midi a CV master clock (from my euroracks modules) to some guitar pedals (Meris, Hologram etc) to sync. In other words, I don't need to send CC messages – only the start, stop and tempo info of a master clock.
Does that exist ? I seem to see all the modules allowing a complete transfer of CC messages, but I have not found anything that can just produce a master clock from CV to midi (TRS or DIN). Thanks for your help!

Thanks for helping, @geusensdriesmusic. Yeah, after watching the few available videos about the module, I think it can do what I need.

Wow, thanks for the detailed response! After looking through some of these modules I have to admit I really like the functions they offer... I'll definitely get the quad VCA as I've always heard you want more VCAs, so might as well start out with plenty. As for the FX units I'll have to look through some demos later to get a feel for them.

Your response was very helpful in helping me narrow things down, thanks!

A VCO from Look Mum no computer. Basic but solid, they name this a “performance” VCO, which means (to me) that it’s intended to be stable in live performance without any tinkering. Though you can adjust voltage trims from the front of the unit, which is nice in a live setting.
Limited modifications, but what you’ll need.
Sounds pretty good.
Some finicky parts in the build. There is one surface mount oscillator chip, and one rotary switch that took me a bit to get on. And getting the trim pot screws through the front panel was tricky.
Calibration is straightforward, but may take you some time.
Build

At first I would think about including an effects module. Minimum FX Aid https://www.modulargrid.net/e/happy-nerding-fx-aid-black-gold but I would recommend a clone of MI Clouds, for example https://www.modulargrid.net/e/after-later -audio-monsoon and to semi-randomly sequence gates and cv a clone of MI Marbles, for example https://www.modulargrid.net/e/after-later-audio-antumbra-cara. I think these two modules would perfectly complement your voices.
In the utilities field, better 4 than 2 vcas, with a contained price you have NANO MODULES ALT https://www.modulargrid.net/e/nano-modules-alt and a somewhat more expensive classic, but easily found in the second-hand market Intellijel quad vca https://www.modulargrid.net/e/intellijel-quad-vca.
You could remove the 2HP Tune and the Doepfer A-160-5.
I would add a filter perhaps, but you only have 4Hp left free...
Without jumping to the second case, it would remain like this.
That is my modest suggestion.

I've decided to take a leap into modular synthesis and wanted to start with a small sort of generative drone synth with an added wavetable VCO with the ability to be used melodically. My case is the Moog 104hp, as I like the ability to expand it vertically with the bracket.

The Weather_drones, Maths, and Wavetable VCO are modules that I definitely will be keeping, but others are stuff I would consider changing. I also am unsure of what sequencer others might recommend, as well as just other modules to help it achieve its desired purpose.

Any advice is appreciated, thanks!

I have a Model D, Poly D, and a couple other small pieces of commodity/utility gear from Behringer, and agree that the accessibility of their reissue work has really opened the world of synths to a lot of people that otherwise wouldn't get into it. However, in addition to the examples of Dave Smith and Oberheim noted above, the latest scenario with Mutable Instruments last year is why I've decided to avoid their modular gear going forward. I know Emilie made the designs open source and that has been a big boon for smaller companies making clones or variations on the designs (After Later, Cal Synth, etc), but it's an entirely different scenario when a large corporation lifts the design without giving credit (Mutable Plaits -> Behringer Brains). If they end up producing their clones of the Synthi or the Music Easel, I might consider it, but I'll be thinking about it way longer and harder than I did when I bought my Boog clones.

So yes, buy the modules that interest you, but I think there's a place for personal responsibility in whom we support with our dollars.

I want to announce a project that I have been working on for a while now and that has now been launched as beta.

OpenSoundLab (OSL) makes modular sound patching three dimensional in a mixed reality experience using Meta Quest's passthrough mode. Patch simple or complex sounds at home, in your studio or in the field. Learn the foundations of creative sound work through video tutorials that are placed right within your patch.

OSL is a fork of Logan Olson's magnificent SoundStage VR. OSL enhances the original version so that it is better suited for performing in the context of experimental electronic sound and music, to make it feel less like a game and more like an actual sound laboratory. We recreate the experience of working in spatial setups, but without being bound to mimicking the physical past. Where are the limits of the digital realm, and where are its sweet spots?

The project received generous funding by an educational grant of the University of Applied Sciences and Arts Northwestern Switzerland (IDCE FHNW).

Please head over to GitHub where you can find binaries, the source code, a trailer, some video tutorials and a research paper.

http://www.opensoundlab.org

This is exactly how I got into modular, although my entry-drug was a Neutron. I thought a MI Clouds would satisfy my effects needs, so I got a Behringer Eurorack Rack (includes a power module) and stuffed it into my 19"-studiorack. Another filter would be nice, I thought. So it started ...
Well, as Jim said, several modulation and utility modules later the rack was full and I built a 6u 104hp-case out of beech wood, screwed some rails into it and continued my journey. And yes, it's expensive, but there are ways to keep the budget reasonable. Always check the classifieds, get clones where it's possible (and ethically justifiable) and think about DIY.

IMO I think you need something to make a bass base and some drums. A module I see in almost every Techno oriented rack is BIAS, very versatile as it can give you all kinds of aggressive percussion and bass lines. It incorporates its own envelope.
https://www.modulargrid.net/e/noise-engineering-basimilus-iteritas-alter-black. What I will say is not going to be very popular, but due to the size of the case you have, I would change the MOSKWA for a NE Mimetic https://www.modulargrid.net/e/noise-engineering-mimetic-digitalis-black, half of size, 4 CV outputs. And with the space freed up, I would add either a small VCO feeding one of the Percall inputs for a bass base, thus freeing up the BIA for percussion, or a percussion module with CV control, for example https://www. modulargrid.net/e/befaco-kickall
(reduced size)
or https://www.modulargrid.net/e/patching-panda-bd-z
BR

EDITED Jan 10th 2023, 07:39

A live patch and jam session on two Moog Mother 32's, DFAM, Plaits, and BIA. Qu-Bit Nautilus, Imitor Versio, and Desmodus Versio provide depth and atmosphere. Modulation by ochd and Vector Space. Sound EQ, compression, and stereo placement by SCLPL, MSCL, and SoundStage. Recorded on a Zoom H2n.

Enjoy!

-mowse

and the link

Hi all,

I would like your opinion about (another) Techno focused Palette Rack. The main purpose of this rack is live performance improvisation.

Here is the Rack:

https://cdn.modulargrid.net/img/racks/modulargrid_2128671.jpg

And a bit info about it:

Sequencing: Moswka / Ostankino for lead voices and Euclidean Circles for drums and fancy triggering.

Drums: 2 Samples from the Erica Synth Drums, some HiHats from the Doepfer Noise Generator / Percall. I might add a Kick here.

Voice(s): At the moment just Manis Iteritas as gritty voice. I am thinking to include a more “gentle” voice. Keep in mind that I only have one voice to sequence, but I usually like to find workarounds (precision adders, inverting triggers, things like that).

FX: Wasp Filter and FX AID for some delay/reverb ambient.

Mixing: I do have a DIY 5 channel mix on the rack, but I also have a 1010music BlueBox outside.

Modulation: OCHD and Clep Diaz as main modulation actors. I also have a noise source with Sample and Hold.

Utilities. Plenty of mults (Palette + some passive mults 1U that I already have), besides Percall, a dual VCA (one 1 use it exclusively for ducking effect), one 4x attenuverter (planning to obtaining another one in the 28HP 1U spare space), MIDI, etc.

So pretty much I have a 28HP 1U space, that I am pretty confident I will end up having more attenuverters, and 12 HP 3U.... and here is when I am not sure what to do. Some options I have in mind:

A second voice (something like Plaits / Rings perhaps?). A regular VCO is pretty much discarded due of the lack of envelope generators in my rack.

A Kick, so I can use the sample for something else.

More modulation. Who can say not to that?

More utilities.

Probably the smartest: nothing. Wait and see what I miss.

A more decent mixing so I don’t need to use the Bluebox (perhaps a Drum Mixer Lite, because of the included compressor)

Any ideas / suggestions are pretty much appreciated it.

Cheers,
David

In your situation I'd just get a couple of effect pedals and a small mixer. There are loads of great reverbs, delays, etc, and a good used market. Modular is like stepping into a whole minefield that might be more complication than its worth for you.

Pretty sure it does. I've built one for a customer and checked with lfo's, manual cv, triggers and gates. Due to the nature of a vactrol, it'll need the incoming cv to rise above a certain treshold. The higher the incoming CV gets, the more it'll open the LPG. And of course: you can use a channel to process your envelope instead of audio, and use that output as cv for your audio channel.

Does anyone know, if the Jolin Agogo's LPGs responses follow incoming enevlopes? I ask, because using envelopes as CV on the Takaab 2LPG, for example, does not work that way. Here, a longer attack only delays the opening of the vactrol: the vactrol opens and closes, when a certain threshold is passed, which can be done using an envelope (you trigger/strike the vactrol with the envelope, basically), while filter and volume responses are solely determined by that vactrol's characteristics. So, can I shape the response of the Agogo LPGs to have a longer attack and/or decay time, using an envelope as CV, like I can using the Ctrl input on the Make Noise Optomix?
-- klngvrhltnss

I ordered a Doepfer A138B to @symbiosis and everything fine.
Well packaged and a Module in very good condition.
Highly recommended seller.

Does anyone know, if the Jolin Agogo's LPGs responses follow incoming enevlopes? I ask, because using envelopes as CV on the Takaab 2LPG, for example, does not work that way. Here, a longer attack only delays the opening of the vactrol: the vactrol opens and closes, when a certain threshold is passed, which can be done using an envelope (you trigger/strike the vactrol with the envelope, basically), while filter and volume responses are solely determined by that vactrol's characteristics. So, can I shape the response of the Agogo LPGs to have a longer attack and/or decay time, using an envelope as CV, like I can using the Ctrl input on the Make Noise Optomix?

EDITED Jan 8th 2023, 09:55

Something worth considering is to go with the Expert Sleepers FH-2 and turning the Disting mk4 into a Disting EX. Getting the FH-2 is simply to make space for the EX. The FH-2 may not be what you want in this case in which case this would be moot but it seems like they would have the same purpose for this system. The EX is basically the same as the mk4 but it is 100x easier to use. If the FH-2 works for you, I would do this. You also get the benefit of having two mk4s in one.

In regards to a pitch sequencer, which I do agree that you should probably look at, it depends on what you'd want. If you have something like an MPC One you can pretty easily use that. Same with a midi keyboard. A common one that is used with modular systems are the Arturia Keysteps. The Digitalis is a good small option.

Thank you for your feedback. I will look into the Mimetic Digitalis. Any specific LFO you have in mind?

I updated the post above with a link to the rack.

Hmm... I have a Behringer Neutron & Model D & 2600 all work well and as they should. Very good price-quality ratio.

I also have 9 pcs of Behringer eurorack modules.
In terms of quality, they are no worse than modules from other manufacturers. In fact, even better than a few manufacturers. My current modular currently has 69 modules and behringer's modules are actually the 2500 & System-100 modules I use the most at the moment. Apparently some of Behringer's early system-100 and system-55 modules have had a calibration problem. At least for System-100, the problem has been fixed.
In terms of durability, of course, the potentiometers could be attached to the front panel and not directly on the circuit board.
I will continue to buy Behringer modules if I find a module that interests me.

Buy the modules that interest you.

Hi,
Please paste a link to your rack. It is easier to see the function of each module and to be able to comment on it.

As you will read in most posts, a bigger box. Maybe a 6U or 7U, if you like 1U modules.
It all depends on what kind of sound you are looking for.
At first glance, from what I see, all your pitch sources are random, coming from Chance, think maybe include a small pitch sequencer, to have more melodic control.
For example https://www.modulargrid.net/e/noise-engineering-mimetic-digitalis-black takes up little space.
It would not be a bad idea to also add an LFO with CV and resettable additional to Maths, they are affordable modules, they consume few HP.

How about something like Midi Shaper for the pre-arranged ones since you can store multiple waves https://www.cableguys.com/midishaper.html

Then you can configure a shuttle port to be "CC Smoothed" which will convert MIDI CC to CV out of the shuttle control (-5 to +5).

You can also configure a CV port on the shuttle as LFO Sample and hold. The frequency of the S&H can be adjusted by cc# so you can map a knob to change S&H frequency.

EDITED Jan 7th 2023, 09:54

A complete instructional video :

Same here, the grid is all jumbled up.

I've been looking at modular for a while, and tried to read and learn as much as possible. Here are the current plans for my first rack:

My goal is to both have some form of generative functionality, while also being able to create ambient background music. I have other instruments and such, so this is mostly just a fun additional thing to play with.

Am I missing something obvious in this rack? Any glaring faults or problems?

EDITED Jan 7th 2023, 20:03

Now that I'm enjoying my synth computer-less, what's a good way to get some stereo delay and reverb, and also a stereo headphone jack output? (I'm not using speakers, so 1/4" outputs are not needed).

unless you really want to commit to eurorack (which, be warned, may tie up all your disposable income for years) then you may be better off with a smallish mixer that has built in digital effects - it's possible that one of these may also work as an audio interface, which would be a bonus

I was thinking maybe an effects module (such as Mutable Instruments Beads/Clouds) plus an "ALM019 - HPO" could do the trick.

modular effects rack = modular synth where the sound source is external

still need to think about modulation sources and utilities... so make sure you leave space to expand into in the case whatever you buy...

clouds cries out for at least a couple of channels of modulation sources - possibly one or more lfos plus random or chaotic - and attenuators or attenuverters as a minimum

beads has attenurandomisers built in, but would still benefit from lfos

I could make my own wooden box for these, but then I'd need a power supply. Should I get a eurorack power supply/bus and just use that, further complicating something seemingly small? I'm not yet ready to take the Model D out if its box, but perhaps I could tap it's power supply?

wooden boxes are easy - buy rails & threaded inserts though - they make life much easier & make bigger than you think you'll need - 6u 1-4hp is a good starter size

& yes you'll need a power supply - I like befaco excalibus which is available built or as a kit

as the model d has a powered case already I'd keep it in there... taking it out ans putting it in a larger case is a waste

I would describe myself as a hobbyist noisemaker, never a musician.

I've got a standalone Behringer Model D, and it's very fun to play with. I just got a LaunchKey Mini and its MIDI out cable. This enables me to not need a computer/midi-host.

Now that I'm enjoying my synth computer-less, what's a good way to get some stereo delay and reverb, and also a stereo headphone jack output? (I'm not using speakers, so 1/4" outputs are not needed).

I was thinking maybe an effects module (such as Mutable Instruments Beads/Clouds) plus an "ALM019 - HPO" could do the trick.

I could make my own wooden box for these, but then I'd need a power supply. Should I get a eurorack power supply/bus and just use that, further complicating something seemingly small? I'm not yet ready to take the Model D out if its box, but perhaps I could tap it's power supply?

Any suggestions are welcome!

EDIT: I forgot the title, perhaps such a box already exists? I'd love to hear about it!

EDITED Jan 6th 2023, 22:33

... also stepping back when you see something cool and trying to work out if you can do it already with the modules you have is a good idea... often just adding one or two utility modules will get you a long way for less money

-- JimHowell1970

That is a great point too. I've got 12 HP left on my second case but I feel that I have a few modules I have already grown out of. I haven't yet received my second case, so maybe not...I'm excited to see what I can do with all this stuff.

If its just 1 note then go for middle C, though it could sound a bit rough as you go up and down the full scale.
If you have the option of doing this in Software first you could experiment and see how that 1 note works up and down the keyboard.

so is it more a matter of just choosing what note to sample, and just consistently using that for all samples?

Hi,
I've been using modular hardware for a while, and I'm experimenting with this NE filter/distortion.
My question comes with the Mod (modulation) switch.
I have read the manual but I don't quite understand it.
The manual says:
//Mod: The audio is routed back to the filter cutoff frequency for
input-dependent FM. Down position is off, middle is mild, high is
extreme//
I'm intrigued, because if I output the audio through the filter output, without going through the distortion circuit (Mangle) I get the oscillator signal (SQR) very attenuated and low in volume.
I am modulating the cutoff frequency with an attenuated EG via a triatt, since the CV input of the filter accepts 0 to 5V.
I have also deactivated the automatic frequency envelope, so that only the cv that I send it from my EG affects the cut.
I already knew that this is a rather "special" filter, but I'm afraid I'm not knowing how to get its good side out.
If anyone has used it, and can help me....
Thank you

Ideally if you want full range I seem to recall you should have at least 1 sampled note per octave, though I'm pretty sure the 2hp won't accept multi-samples. So if you keep your playing range within 8 notes each side of middle C you'll be about OK.

I once sampled each note of a Roland MC-202, editing each for sustain loops, and put them into a Reason software sampler, that was very boring workflow!

EDITED Jan 6th 2023, 17:30

Both the a-151 and Samara II look very interesting, and I can see their useful applications. I just read through the Samara manual, and hadn't appreciate quite how much it could do.

I've pulled the trigger on one of the last few wmd performance mixers I could find in stock, so we shall see how it goes!
I was mainly planning to use the vcas in it for volume control rather than shaping, my initial thoughts were to use either the Catalyst or Metron & Voltera to fade in and out channels potentially.

As the title suggests,

When using a sample playback module with v/ oct pitch control
(let's say the 2hp "Play")
what pitch should you record a sample at to get accurate v/oct pitches?

That is, if I were to record a single piano note, so that I can then sequence the sampler to get a pitched piano melody,
should I record a C note?

does v/oct have a fundamental root note it works from?

or is the standard approach to not worry about it and then tune with the v/oct knob.

Thank you

Thanks! I couldn't figure out how people were adding their rack so perfectly in the post!

no problem...

I feel like I have a bit of a direction and then I get a new piece and it reminds me that I need these other pieces to really make it do something cool. Just when I feel like I'm doing something neat I watch someone else on Youtube and then I want to be able to do that too. I'm addicted.

yeah it's often that way... I want this module as it has this cool feature that I think would really lift my modular to the next level... ah now I need these 3-4 support modules to make it actually do what I want it to do... ah! now I need another case... sometimes stopping watching youtube is a good idea... also stepping back when you see something cool and trying to work out if you can do it already with the modules you have is a good idea... often just adding one or two utility modules will get you a long way for less money

EDITED Jan 6th 2023, 14:39

I think you would get something from adding a filter and more modulation, and I'd still be tempted to add more mixing (but that is mainly because I've recently realised I have far from enough mixing in my own rack).

I had a play around and tried to keep most of what you had and work with the space you had remaining:

I added the ochd and Ornaments & Crime for modulation and O_C is so flexible, it can also do sequencing or quantising, have a look at the videos for it and decide if its style of menu driven workflow could suit you... it could even delay your need for steppy and scales (but not remove the need longer term)

I also added squawk dirty and FX aid as end of chain effects and filtering.
If you were to take the Data out, I'd suggest looking at a second filter to add more flavour, maybe the ikarie would work well?

Data is fantastic, and its really helped me understand what my modules are doing and how to get more from them, but in a case this size its taking up a lot of real estate.

one thing that did occur to me, was to put the big honking button and the Data in a separate 4ms Pod alongside this case if you were set on its size.

If you want to grow this in the future, then I'd suggest looking at a bigger case, for all those nice modules you like the look of, you will need more space to make the most of them.

EDITED Jan 6th 2023, 15:12

Hi All,

Looking for suggestions to fill that last 2HP! Was thinking maybe a buffered mult or similar???

Thanks!

Thanks! I couldn't figure out how people were adding their rack so perfectly in the post!

I feel like I have a bit of a direction and then I get a new piece and it reminds me that I need these other pieces to really make it do something cool. Just when I feel like I'm doing something neat I watch someone else on Youtube and then I want to be able to do that too. I'm addicted.

I still am unsure of the direction that I want to take my rack.

Not necessarily the best strategy... but it is quite common

I have just been adding modules as I could afford them.

that's generally what most people do, at least to

I saw a video of someone that had the case USB connected to a computer and was running some software to control the VCOs. Does anyone know if Garageband can do that? Or is there another free program? I'm not sure I would always want to do that but I would like to give it a try.

what does reading the helpfile/manual for Garageband tell you about setting up a midi track and sending the output to a midi device?

there are quite a few free DAWs available... google is good for finding out what they are

please copy and paste the url of your public rack into your post...

jpgs are crap for this purpose (ie requesting help/advice/sympathy/whatever) as they do not allow for 'mouse-over' or 'click-through' - which are really helpful in helping us help you!!

Hi there,

I am new to modular synthesis and somehow got sucked in with the NiftyCase earlier this year. I just ordered a second case and assuming that all the modules I ordered arrive my rig will look like this:

Any suggestions for things missing? I'm a bit low on HP but I could always take the Mavis out of the rack.

I still am unsure of the direction that I want to take my rack. I have just been adding modules as I could afford them. I have an Arturia microbrute that I have been using to control the VCOs and I have been connecting my Akai Rhythm Wolf to the MIDI that clocks the case.

I saw a video of someone that had the case USB connected to a computer and was running some software to control the VCOs. Does anyone know if Garageband can do that? Or is there another free program? I'm not sure I would always want to do that but I would like to give it a try.

Anyways, any suggestions are very much welcome.

EDITED Jan 6th 2023, 13:50