I plan to remove the Modulator, CV Tools, and one of the VCA units from the Black System III I purchased last year around this time to make room for Knobula units and Jewler Cast. My thoughts are that the joystick and sequencer can do LFO and more. I've also still got one VCA to use. In the past year I haven't used the CV tools module much and honestly not sure what functions/options it gives me. I wanted to add Ring Mod/wavefolding options along with some poly action for live performances is the main reason for this change. As a rookie to this modular stuff, what may I regret by omitting the stated modules?

Thanks for help and feed back, loving the mod life!

https://www.ericasynths.lv/media/BSIII-promo-1.jpeg

https://cdn.modulargrid.net/img/racks/modulargrid_2169127.jpg


Now we have a black panel for the ResEQ as preferred by some. The ResEQ has been around for quite a while. What I had hoped for is an expander module with CV over all the frequency bands. Add gate sequences and have fun! Much more exciting to me than any visuals ;-) I heard rumors that there is a 4u version of ResEQ with CV control. Anyone?


If you don't want to use up your 3U space, there also the Intellijel MIDI 1U and CVx which can be expanded and the outputs can be customized via an app on your computer including Clock, Reset, Run, MIDI CC messages, pitch control, portamento, after-touch and a lot more. You'll need their MIDI 1U Jacks, but this might be a flexible option that won't take up too much space. I use it as my MIDI to CV interface and it works like a dream.


The Mutan Brain module shown here does not seem to have any sort of clock / run outputs, so I'm not sure it's going to work as you expect it, actually.

Mutant Brain can output clock (tick / and run) as a trigger signal for all gate outputs. Working perfectly.
Configuration can be done here: http://mutantbrainsurgery.hexinverter.net/


The Mutan Brain module shown here does not seem to have any sort of clock / run outputs, so I'm not sure it's going to work as you expect it, actually.

I'm using the Flame µQMCV for this exact purpose, having the DT midi out (sending clock & transport) in the midi in of the µQMCV - that way I have 4 midi channels sending Gate / Pitch / Velocity, as well as the "Run" and "1/16th" outputs going into Pam's "Run " and "Clk" inputs, keeping everything in sync - a quite simple, efficient and complete solution in my opinion :)

https://www.modulargrid.net/e/flame-%C2%B5qmcv


As far as you are sending the standard start and stop midi signals from your Digitakt to the Hexinverter Mutant Brain, the signals can then be used in your rack to handle clocks and modulations accordingly.

But regarding your rack setup, you should familiarize yourself with the general modulation and sound generation capabilities. In order to play notes and sequences, which is probably what you have in mind for techno patterns, you need more CV modulation tools like envelopes and LFO's, maybe also sample and hold (s&h). To shape audio and sound you’ll need an amplitude modulation module like a VCA, a filter, a low pass gate and / or a mixer to which you can send the CV modulation coming from the envelope. If you stick with a small case size like this one, VCO + BIA is quite enough. Modular sound design is all about modulation rather than stringing lots of VCO’s together.

Hope that helps to make you dive deeper into the topic of modular synthesis.


A 80 ish song with patch notes.


Wow, a lot of detail and modules to look at! Give me a few days to research. Thank you


Yeah. Plenty of modulation sources are needed. Any effect modules you recommend?
-- Monib

I like the fx aid pro... I don't have one, I have the xl version, which I really like, but if I was going to buy another, it would definitely be the pro version... not only does it store all the algorithms (or at least most of them - 200 iirc) it has a screen which means that you can see what you are doing, the regular and xl versions only hold 32 algos and only have leds to show which number algo you are using - which means you need to keep a pdf or printout handy - or load the 1st 32 algo slots of a pro with the same algos - so you can use that as an in-rack cheat sheet... also Igor adds new algos all the time and doesn't look like he's stopping anytime soon

but... that will only really get you one effect at a time, though... so maybe a pro and an xl...

If I was going to do something relatively small & sampler based today, I'd probably go for an instruo Lúbadh (as the sampler), Maths & a pams pro (for modulation & clocking), at least one analog vco (possibly the tiptop/buchla one - for audio rate modulation & to sample), a matrix mixer (maybe 2, probably the doepfer one, as it's simple to use, for mixing modulation sources to create more complex ones), a couple of analog filters and/or lpgs (possibly doepfer), a couple of fx aids (a pro and an xl), an end of chain mixer (with a send/return) and a bunch of utility modules - probably a xaoc samara ii, a doepfer sequential switch, a joranalogue compare 2, a random or chaos module & a quad cascading vca (preferably a veils clone) - and I'd probably want a sequencer too (I've got a black sequencer, that I like a lot... which might look like overkill but I'd find ways to use it v/oct can also be used for modulation & with a powerful sampler I think I'd want the precision) - I wouldn't buy it all at once, but I'd start with a case that can at least house all those modules & preferably at least another 20% to expand into...

possibly something like this:
ModularGrid Rack

having built an example rack - I'd probably want to add at least one simple and small-ish mixer too (or anothe cascading vca - possibly happy nerding

seriously don't sideline utilities - they are the key to great patches...

if you are going to buy Maths - download "the maths illustrated supplement" and work your way through it a lot - spending time to think about the what, why and how of each patch... it will massively help your future patching

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


Yeah, I think utilities is what is needed the most. I'm a bit sound source heavy

I'm looking at the happy nerding 3xMIA for a bipolar mixer, and also the TipTop Buchla Dual Voltage processor as possibilities. Any other must have utilities you'd recommend?
Cheers
-- samhstewart

Matrix mixers (doepfer or nlc), sequential switches (doepfer) , logic (joranalogue), a kinks clone and or a xaoc samara ii...

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


Yeah. Plenty of modulation sources are needed. Any effect modules you recommend?


Regarding the mixer. As you already have an x-pan, you could stick with the make noise schema for mixing and grab a moddemix to add to the case. I like to use the moddemix and optomix as a sub mixer before inserting it into the aux in on the x-pan. So rather than having 1 large mixing module, you can cascade submixers throughout the case and still have the benefit of the other functionality they add. And as mentioned above, maths is great for this as well.
-- WmVoid

I think I'll go with the Optomix and the Moddemix then, sounds good place to start. I have funds for OCHD and Black Modulator and Happy Nerding Mixer as well, do you think these are worth getting just now? If I got them I can then save for Pam's and see if I can pick up a New or a pro depending on availability.

Yeah I have the Shared System that I've expanded a bit (mostly within the MN ecosystem). I chose to stick with DPO rather than XPO for now as I still haven't gotten all of the good sounds out yet. I have added an xpan and qpas, and plan on mimeophon at some point.

Re: Rene/Seq: Rene + Tempi is my 'preset manager' because you can connect them via Select BUS and they will stay synced as in tempo bank to pattern. Rene as a sequencer is unlike every other sequencer Ive ever used. It really is a cheat code to creating counter point melodies and long musical sequences and variations + modulation source. It has its quirks like not starting on the first note after a reset, but for me the pros outweigh the cons.

For more traditional sequencing, Ive used a mutant brain with digitakt and that gives you 4 v/g outs + 4 clock/gate outs all controllable and recallable from the digitakt. It is very powerful combo plus you get drums and samples outside of the rack. I'm not fully aware of the oxis specs, but it seems very capable as well.

-- WmVoid

I think I'll probably end up getting Rene + Tempi, but not the now, I'll use the OXI and see how I go with that, it is great, 8CV and 8 Gate outs. Doesn't have drums like Digitakt though. I think I'll have enough to learn and get on with the rest of the case, which was my plan ayway. Those modules should fill top row.

Can't thank you enough for your help.


Regarding the mixer. As you already have an x-pan, you could stick with the make noise schema for mixing and grab a moddemix to add to the case. I like to use the moddemix and optomix as a sub mixer before inserting it into the aux in on the x-pan. So rather than having 1 large mixing module, you can cascade submixers throughout the case and still have the benefit of the other functionality they add. And as mentioned above, maths is great for this as well.
-- WmVoid

Thanks Wm

Checked out the Moddemix and this seems a good idea, yeah think I would like to keep with Make noise stuff now if I can! I want sure if best to get a large mixer or go down different module route but this is wise since I would have other functions, learning all the time lol! My original plan was to get the Shared System but decided to get case and slowly build it myself and maybe change a few things on the way once I gathered more info on Modular and what I want. But I would like to stay close to it but with the new modules like xpan and Mimeophon. Does that make sense

Thanks

-- Indianabones007

Yeah I have the Shared System that I've expanded a bit (mostly within the MN ecosystem). I chose to stick with DPO rather than XPO for now as I still haven't gotten all of the good sounds out yet. I have added an xpan and qpas, and plan on mimeophon at some point.

Re: Rene/Seq: Rene + Tempi is my 'preset manager' because you can connect them via Select BUS and they will stay synced as in tempo bank to pattern. Rene as a sequencer is unlike every other sequencer Ive ever used. It really is a cheat code to creating counter point melodies and long musical sequences and variations + modulation source. It has its quirks like not starting on the first note after a reset, but for me the pros outweigh the cons.

For more traditional sequencing, Ive used a mutant brain with digitakt and that gives you 4 v/g outs + 4 clock/gate outs all controllable and recallable from the digitakt. It is very powerful combo plus you get drums and samples outside of the rack. I'm not fully aware of the oxis specs, but it seems very capable as well.


I have bought a module from @RossMotus669 and everything is perfect. Very well packaged and shipped very fast. highly recommended


I consider Pam's an essential module for any system.
-- CitizenGain

I see a couple of PNW's for sale, I don't mind paying the extra if I know I'll get use out of the new functions but they will probabaly be lost on me till I learn more. I'll go for the Happy Nerding 4x St Mix then as well as mixer and if I need more later I can get another.

I'll leave sequencer just now and check some more out, I have enough to work with I think. I have the OXI One at moment but again, was looking for something to work in the rack more but this is not important just now.

What do you think I should get first? Concentrate on the modulation sources (Optomix OCHD and the Black modulator), are these good choices for me? I have enought to get them and PNW and Mixer just now, think that would give me plenty to get working with and keep me busy and a lot to learn.

Really appreciate your help.


I have put the bottom ones in order I would like to get them. Do you think Rene and Pam's Pro would be a good choice as well.
-- Indianabones007

I consider Pam's an essential module for any system. I've got PNW and might upgrade to Pam Pro at some point. When it was released a few months ago it came with lots of firmware quirks but I guess it's mostly stable now after some update releases. Still, I'd probably look out for a used PNW as they've become quite affordable as soon as PPW was released. But that's really just a matter of how much you want to spend. You'd be able to get a PNW + Happy Nerding 4x St Mix (which is great, I've got two in my system) for the price of a PPW. ^^

No experience with René here. From what I've seen and heard in demos it's really powerful and performable but it doesn't really seem immediate to me. As far as I know you can only see one channel at a time and have to switch between channel X, Y and Z in order to see what they're doing, which may be perfectly fine for other people's workflow though. Considering real estate, René and most similarly feature-rich sequencers take up a lot of space, so I decided to outsource my sequencing duties to external gear. Korg SQ-1 and Keystep at the moment. If you get the chance, you should try out some sequencers and find the one that fits your style the most. :)


Regarding the mixer. As you already have an x-pan, you could stick with the make noise schema for mixing and grab a moddemix to add to the case. I like to use the moddemix and optomix as a sub mixer before inserting it into the aux in on the x-pan. So rather than having 1 large mixing module, you can cascade submixers throughout the case and still have the benefit of the other functionality they add. And as mentioned above, maths is great for this as well.
-- WmVoid

Thanks Wm

Checked out the Moddemix and this seems a good idea, yeah think I would like to keep with Make noise stuff now if I can! I want sure if best to get a large mixer or go down different module route but this is wise since I would have other functions, learning all the time lol! My original plan was to get the Shared System but decided to get case and slowly build it myself and maybe change a few things on the way once I gathered more info on Modular and what I want. But I would like to stay close to it but with the new modules like xpan and Mimeophon. Does that make sense

Thanks


Yeah, I think utilities is what is needed the most. I'm a bit sound source heavy

I'm looking at the happy nerding 3xMIA for a bipolar mixer, and also the TipTop Buchla Dual Voltage processor as possibilities. Any other must have utilities you'd recommend?
Cheers


I need a mixer and was looking at Instruo Lion,.

I agree you do need a mixer, but what do you want the mixer for??? if you want it for end of chain and/or to have control over levels, then lion is probably not what you should be looking at... & personally for a matrix mixer I wouldn't really look at it - I prefer control over levels and no special loop cables or splitters, which I'd lose - or at the very least be searching a while for... if it really is a matrix mixer you want I'd go for something simpler - like the doepfer one or with vcas like the nonlinearcircuits or 4ms one(s)

-- JimHowell1970
Thanks Jim

No, I’m not really after something like a matrix mixer, yes, I would probably lose leads, I’m gathering a lot lol. I just wasn’t sure what to look for in a mixer and want to get something that would do into the future rather than have to buy again and I realise I need to go simpler now. Just looking for something to combine voices, I know the make noise case has a simple one, will this be enough to start? I have changed case now to show a Happy Nerding 4 channel one, would this be more simple to start with.? Appreciated


Regarding the mixer. As you already have an x-pan, you could stick with the make noise schema for mixing and grab a moddemix to add to the case. I like to use the moddemix and optomix as a sub mixer before inserting it into the aux in on the x-pan. So rather than having 1 large mixing module, you can cascade submixers throughout the case and still have the benefit of the other functionality they add. And as mentioned above, maths is great for this as well.


I obviously don't know what I'm doing lol, it won't let me share the new one so here is just an image of it

needs to be public - not checked as private!

and I agree completely about less voices - see my signature for hints on balance and "more versatility for less cash"

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


I need a mixer and was looking at Instruo Lion,.

I agree you do need a mixer, but what do you want the mixer for??? if you want it for end of chain and/or to have control over levels, then lion is probably not what you should be looking at... & personally for a matrix mixer I wouldn't really look at it - I prefer control over levels and no special loop cables or splitters, which I'd lose - or at the very least be searching a while for... if it really is a matrix mixer you want I'd go for something simpler - like the doepfer one or with vcas like the nonlinearcircuits or 4ms one(s)

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


I'd probably try to focus on fewer voices. With Plaits, XPO and Cs-L/DPO you've got at least 3 sound sources in there (next to the three semi modulars you mentioned), only one VCF though. A pretty great one, that is. I love my XPO/QPAS combo but QPAS isn't gonna cover all the filtering needs for 3 oscillators. I'd add another stereo/dual VCF and/or a dual LPG like Optomix, LxD or MengQi's DPLPG.
Maths allows for mixing and function generation duties but you might want seperate modules for these tasks and open up Maths for its more sophisticated possibilities.
Mixers: Lion is quite a powerful matrix mixer and aesthetically it's a great match for Make Noise's black and gold line. The way you have to use pin and insert cables isn't for everybody though and might be something to get used to.
X-PAN needs modulation in order to really shine. Btw, I've had some great results modulating XPO, QPAS and X-PAN with Instruo's/DivKid's Ochd. It's only 4 HP wide, too.
Plaits, QPAS and X-PAN each come with a built-in VCA but that may not be enough. Especially if you wanna modulate your modulation which I consider really important in order to make a stereo patch really shine. Or for ping-pong sorta spreading of your left and right channel. Random voltages (noise source -> S&H) makes for some great modulation source as well. Really like to modulate Mimeophon's "zone" and "rate" this way.
I'd probably ditch the complex oscillator in order to make up the needed space for utilities, another VCF and modulation sources. I have an STO sit next to XPO for occassional complex FM patching.

-- CitizenGain

Thank you for that great reply and help. I have done a new update on case, Again the top ones is the ones I have. I've ditched the Complex Oscillator one. I want to be able to use the Rack on it's own sometimes, thats why I thought maybe that would be good but I would really like the modulation sources as you mentioned first. Space is an issue for me and setting everything up together won't be feasable all the time.
I obviously don't know what I'm doing lol, it won't let me share the new one so here is just an image of it

https://cdn.modulargrid.net/img/racks/modulargrid_2229100.jpg?1681772929

I have put the bottom ones in order I would like to get them. Do you think Rene and Pam's Pro would be a good choice as well.

Would that set up work better now?


I'd probably try to focus on fewer voices. With Plaits, XPO and Cs-L/DPO you've got at least 3 sound sources in there (next to the three semi modulars you mentioned), only one VCF though. A pretty great one, that is. I love my XPO/QPAS combo but QPAS isn't gonna cover all the filtering needs for 3 oscillators. I'd add another stereo/dual VCF and/or a dual LPG like Optomix, LxD or MengQi's DPLPG.
Maths allows for mixing and function generation duties but you might want seperate modules for these tasks and open up Maths for its more sophisticated possibilities.
Mixers: Lion is quite a powerful matrix mixer and aesthetically it's a great match for Make Noise's black and gold line. The way you have to use pin and insert cables isn't for everybody though and might be something to get used to.
X-PAN needs modulation in order to really shine. Btw, I've had some great results modulating XPO, QPAS and X-PAN with Instruo's/DivKid's Ochd. It's only 4 HP wide, too.
Plaits, QPAS and X-PAN each come with a built-in VCA but that may not be enough. Especially if you wanna modulate your modulation which I consider really important in order to make a stereo patch really shine. Or for ping-pong sorta spreading of your left and right channel. Random voltages (noise source -> S&H) makes for some great modulation source as well. Really like to modulate Mimeophon's "zone" and "rate" this way.
I'd probably ditch the complex oscillator in order to make up the needed space for utilities, another VCF and modulation sources. I have an STO sit next to XPO for occassional complex FM patching.


Hello guys and gals,
I’m a bit stuck. Do I really need VCAs?
Do I need effects?
Do I need a mixer?
What would you do to finish off this rack?
Help would be very, very helpful.
Thanks.
-- clivevass

You may wanna ask yourself what's the purpose of your system. Show that rack to 10 different people and ask them what module they'd buy next. You'll get 10 different answers, all of which would take those people one step further towards their dream rack but may be completely irrelevant for your musical approach. Are there any modular synth artists or youtubers you really dig? Anything you'd like your system to do which it can't quite do yet? The answer to all of your questions is "no, you don't need that", if you're able to get all the results from your system you could wish for. Then all that's left to be added are some blank panels to cover up the holes.
As for my personal opinion and what I would add to the rack, I agree with JimHowell. Utilities are king. Switches, mixers, logic, attenuators/attenuverters.. Happy Nerding's 3x MIA covers a lot of these functions at only 6HP and it's really affordable, too. In fact I love all of Happy Nerding's utilities.
I'd definitely add a cascading/mixing quad VCA. Mutable's Veils appears on the used market now and then. Other great and inexpensive options are Intellijel's Quad VCA or ALM's Tangle Quartet. The latter one doesn't exactly have that cascading behaviour but has a mix output. Only linear response, too, other than Veils and Quad VCA.
I'd personally add another VCF, maybe a versatile dual one (Intellijel Morgasmatron, DinSync Sara, AJH Gemini, which is rather huge though), delay/echo/reverb like Mimeophon, some sort of end-of-chain mixer in order to blend wet and dry signals. Oh, and function generators (Shakmat Triple Steeple, Intellijel Quadrax, Joranalogue Contour 1, Cosmotronic Delta V). A designated CV mixer, too. I'd also have Assimil8or swap places with Tetrapad/Tête, just for the aesthetic of having them sit next to Metropolix (and because their inputs and outputs are located at the modules' top anyway which is great for bottom row modules).


Hi guys.

I've scrubbed my lst case asI decided to get the Make Noise 7u one.

ModularGrid Rack

Looking or advice, I'll be getting the case in a coupe of weeks, it's on order from USA.

The top row is the modules I've bought and the ones below are the ones I favour so far to get next, no particular order, just getting them if deals come up. I've done well I think with ones I have bought.

I'm unsure about Make Noise DPO or Instruo Csl, I like the sound of both but would like a different voice in there. I have 0-coast and Strega and also Moog Matriarch.

I need a mixer and was looking at Instruo Lion,.

I'm looking at just having fun with delay, stereo and harmonies etc

Many thanks


I’m very curious if users can share successful experiences with delaying cv signals with « audio delay modules ».

I suspect that looking for one module to do comb filtering and long and accurate delays will be challenging ?

Synthesis technology E102 is a very fun module.
Joranalogue step 8 implements accurate track and hold (and is a super fun module too)
For comb and such, Joranalogue Delay 1 is impressive.


For my part, just a 24HP suggestion chosen for playability and adaptability.

Though at that price you could buy a TR-8S, plus premium cables, and even (being 18 years of age or over - and to consume in moderation) a nice selection of beers from our friend Wishbone Brewery ;)

Personally, I did opt for a mix because I think it’s a good solution: external drum machines (including the ADX-1, TR-707, and a DrumBrute Impact that sounds great and is perfectly suited to live performance), with some ‘percussion’ modules of course.

ModularGrid Rack

'On ne devrait jamais quitter Montauban' (Fernand Naudin).


I think class 10 sd cards are not supported. I've tried with two separate ones. The same files work on class 4...
Anyone noticed the same issue? Or I am doing something wrong?


I never played a guitar for real myself, but I know things can get weird quickly when a guitar friend of mine (35+ years and counting) asked if he could buy my BeatStep Pro. Right. It's one of those "do boundaries even exist" moments. He's got about 20 guitars as well. Another friend tried to replace his rack of pedals by a one-does-it-all model ("Look, now my pickup is 30cm beyond the neck!"), only to find that other do-it-all models did other things.

Yeah, modules are very hard to grasp for non-modular people. Even if somebody is familiar with pedals, something like a VCA, panning scanner or modulation source (Orbit 3 for the win!) are completely alien. I just got the Error Instruments Tele Bender and I find I can't describe it in words to anybody who asks what it does. But it's so much fun! It gets even better because it's extremely pretty and looks like an obscurantis 19th century magick device from China (I got the red one), and only 30 will ever be made. I bought it to shock my fellow modular friends, partly at least.

In the meantime, I feel like modular is really making me think in components that connect together. I tried hooking up my Argon8 to my modular, which I succeeded in easily, but I had a hard time wrapping my head around all the capabilities in that synth. There's so much in there, coming at me all at the same time! I feel I'm already starting to find Bastl modules like Pizza and Ikarie hard to get because they do so much. They should just chop it up into 3 or 4 modules. Or make them 20hp wide instead of 8

Modular playlist on SoundCloud


Thank you for your time and consideration


"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


I'd definitely want more utilities - logic, sequential switches, mixers (sub/matrix), clock dividers etc etc and possibly some more effects and modulation, before buying any more sound sources...

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


It's a bit like guitar players. Some people think you buy a guitar and that's it. Except modular is worse, far worse ;-)
-- Arrandan

hahahaha

Also being a guitar player, I'm not so sure that modular is worse!!!

there's a 1st crappy acoustic guitar, then a crappy electric and an amp, then an upgrade (probably for all 3), then another upgrade, then another electric and a hollow body and another electric and maybe a 12 string and some pedals along the way and more pedals and a pedal board and another amp and then upgrade the pedals etc etc

and then a bass and an amp and maybe some pedals for that etc

and suddenly you've got 6-10 guitars, a couple of amps, 10-20 pedals maybe more, probably a keyboard or 2, plus some recording equipment and other rack gear.... which could easily be way, way over 20k... possibly nearer 30... and that's with standard factory built guitars and amps, and no exotic hard to find pedals etc... start going towards an actual custom built guitar (by a named builder from a major manufacturer) or a desirable 'vintage' guitar, a hand wired point to point amp (or 2) and even a few unobtanium pedals and you could be over 30k just for one or 2 guitars, a couple of 'good' amps and a dozen or so pedals

and don't even think at looking at 'classical' instruments - like cellos - anything above a beginner model and you're talking thousands... and then there's the bow - more thousands... or a piano...

my ex used to not bat an eyelid at a couple of grand for a guitar... but couldn't understand why modules were often hundreds each... but she was really only accustomed to buying FMCG (as many people are) - clothes, shoes, consumer grade audio/visual, white goods etc - which are made in the hundreds of thousands if not millions and has never worked in retail or business...

but modules (and cases) aren't anything like FMCG - they're niche components of a custom 'professional' grade musical instrument... they're very low volume - the biggest selling module (Maths) is probably under 20k units in total... over 15 or more years... and most are probably in the hundreds or very low thousands in total... and made in batches of 10s or hundreds... and yet they still have to be designed, tested, refined, built, stored, shipped, retailed etc etc all of which adds up... and in a lot of cases are the same or similar costs as FMCG but have to be absorbed by a fraction of the sales.. which obviously drives the price up...

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


I think there is such a thing as “finished” if you want it to be…that’s what my wife keeps telling me…
-- clivevass
Hahaha, my wife is just the same. She thinks it can be finished because she's not in it. As for her own projects - to me, many look finished, whereas for her, it's just the first step. It's a bit like guitar players. Some people think you buy a guitar and that's it. Except modular is worse, far worse ;-)

Modular playlist on SoundCloud


Hiya,
this is the rack I have sat above my moog matriarch, i like using them together but also enjoy this as being a very capable standalone setup.
I recently replaced my 9u of rackbrutes with a 9u 104hp case, so I have some space to fill and looking for suggestions

I've had my eye on a Plonk for a little bit (I have an Erica Synths Sample Drum I want to swap one for), and was also thinking of replacing the Spice VCF with a Jove, I was also thinking a mixer and perhaps a cv crossfader. Any suggestions appreciated!


Thanks Jim, that's a really useful reply and gives me some modules to explore. Just to add, I've been developing an ambient style random glitch rig alongside this one but this is very specifically for exploring polyrhythms that still lock to a fixed tempo. So for example there could be at any one time 7 different time signatures running, all modulated for colour and character. I guess in some ways like Steve Reich created a number of years ago.. And not dance music.

I've been on a modular journey for a while now, just tweaking and exploring but it's come to me that I want to create certain music I hear in my head that I can't create on other hardware instruments, which is perfect! New music!!!

I'll check out a few of the things you've mentioned and see how I get along


I'd think more utilities and modulation sources and less sound sources...

you'll get a lot more versatility that way... I'd definitely want a syncable multi modulation source of some kind...

take a look at my signature for some hints!

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


I have the grandmother and strega, which I adore. I got a great deal on a 104hp case with power, so now I'm theorizing what I'd need for both modulation and percussive sounds. I'll let this marinate before I move.


There is no such thing as "finish"... modular synths are endlessly evolving custom instruments... maybe a case will be full at some point, but there are always other cases...

I think there is such a thing as “finished” if you want it to be…that’s what my wife keeps telling me…

hahahaha... no that is finished when someone else wants it to be... so not finished just in a state of inertia...

Thank you for your suggestions. Sometimes you just want someone to confirm what you’re already thinking and suggest specific modules that you can do homework on. That’s when you get the aha moments, and realise this module can do more (or less) than you initially thought. So many modules, so little time!

yeah yeah I know, but often what you want and what you need are 2 different things... pointers in the right direction and then doing the research yourself (reading the modwiggler threads & the manual multiple times - if there is one - and watching youtube videos etc before you buy the module) are imo way better and more rewarding than "buy this module its my favourite" can ever be, or at least they have been for me over the last 7 years since I bought my first modules

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


There is no such thing as "finish"... modular synths are endlessly evolving custom instruments... maybe a case will be full at some point, but there are always other cases...

I think there is such a thing as “finished” if you want it to be…that’s what my wife keeps telling me…
Thank you for your suggestions. Sometimes you just want someone to confirm what you’re already thinking and suggest specific modules that you can do homework on. That’s when you get the aha moments, and realise this module can do more (or less) than you initially thought. So many modules, so little time!


I rarely listen to tracks people post... but massive star trek fan - I'm called Jim after Kirk - because I negotiated watching (I think) the first set of re-runs of TOS on the BBC in 1973 when I was 3 years old - they were on at 11pm and my bed time was 7 or something!

I'm guessing the biological responses sample is Tuvok, but it really sounds like Leonard Nimoy's Spock...

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


24hp is not a lot to play with... usually these things just descend into these are the modules I use - so here goes:

maybe a peaks clone to start - it'll give you a kick and a snare - and then something for hats or metallic percussion - I've got plaits and crucible for those and a fss portland - which is fun especially when you dangle it outside the case and stick your fingers in round the back (if you like weird glitchy percussion sounds and squeals) - I've also got an fx aid xl that I keep meaning to reflash with the drum algos on it - mostly so I can use the rimshot and maracas... and an addac vc t-networks (need to finish the build) and a couple of lpgs... and a drm2 mk3 and a circuit bent tr505 - which I can trigger via midi if I want... and that's without patching from scratch - I didn't realise I had quite so many percussion voices!!!

there's nothing wrong with using Pam's for sequencing percussion - as long as you want very robotic sounding drums. and not a lot of interaction... which is fine, if that's what you want!! I use it myself, but I combine it with other things - a zularic repetitor, a dual trigger delay, branches and marbles, a sequential switch, some logic modules, a switched multiple (used as a gate combiner - shock horror) and a ll8ii (once I've rtested my build) (I might need another gate combiner or 2) for instance to humanise and switch it up on the fly and to quickly get other rhythms - I rarely use a straight 4 on the floor rhythm - maybe I'll add another kick in there at some point or a - but then I'm not trying to make straight dance music

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


so you want to Fuck Shit Up?

a sampler and maths would be a good start... I'd also add some sort of multi-fx and probably more in the way of modulation sources - and then some utility modules - a quad cascading vca, a matrix mixer...

plan your case around the modules you want & those you need to support them - rather than buying a case and then trying to squeeze modules in... I'd go for something like a mantis (nb that's a small case imo) - so you have room to (inevitably) expand into

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


Thanks for the reply JimHowell1970. Could you give me some examples of how YOU would finish this rack?

There is no such thing as "finish"... modular synths are endlessly evolving custom instruments... maybe a case will be full at some point, but there are always other cases...

saying that I already said what I would add (or at least pointed you in the direction) - I just didn't mention specific modules... the whole point of modular is that it's your custom instrument (and not mine) so as always happens it would just be a list of what are my favourites: for utilities and filters - doepfer... for vcas I always liked Veils (there are clones available) - an fx aid pro wouldn't hurt - I'd probably want another modulation source - probably either a zadar or batumi (& expander) and a matrrix mixer to combine them - into even more interesting shapes

Which modules would you go for? I’ve got vcas in Maths, but nothing really drones if I don’t want them to. But do I need more? Please help 😳

-- clivevass

you don't really have vcas in Maths - you can patch Maths as a vca-ish - but generally it's an "envelope generator" unless you are madly into the illustrated manual which you probably aren't - seriously I would add at least one dc-coupled quad cascading vca - as mentioned above, I like veils, but there are others - & Maths is better left to be Maths than using it as 'vcas' - & yes I would want more - as I use them for modulating modulation as well as for shaping notes

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


Wow! Thanks!


If you can get a used one (discontinued) the Modor Comb Filter is brilliant, IMHO ;-)
Cheers, Ron


Thanks for the reply. I've tried the Arturia drum machines and didn't get along with them. I'd like to keep things minimal in one case.

I'm know I can use PAM's for other things but why not use them to sequence everything to a specific tempo where there are multiple units running in polyrhythm?


Sensibly most people suggest to get an external Drum Machine. I'd quite fancy a Drum Brute Impact myself.

I've got a few small sequencers, DNIPRO DOT and Robaux LL8, both very capable, but I've just gone and got a Arturia Beatstep Pro as its way more user-friendly than the LL8 (though Muting isn't quite as easy) its good for other stuff too. The DOT is good for little fills and the in-between percussion bits that can be made to float along as poly-rhythms etc from the 3 channels that have different step counts giving you interesting variety that you don't always need to control.

Personally I'd use Pam's clocks for other stuff rather than trying to sequence Drums & percussion with it.

Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.

https://youtube.com/@wishbonebrewery


Hi, a little background. I have ~10 hardware synths and plenty of guitar pedals for the standard sounds. I’m looking to pair a small Eurorack with an Octatrack to create a FSU (F*** S*** Up) setup. Ideally using the Octatrack as a live sampler.

Any recommendations on modules? I think I’ll need a sampler (morphagene?) to feed back and forth from the Octa? I’m thinking about maths for modulation?

This is my first rack as well, looking forward to your suggestions!