I have a somewhat different version, but I suppose the interface will be similar:
If you are European (Italian for example...) this link could help you: https://commission.europa.eu/live-work-travel-eu/consumer-rights-and-complaints/resolve-your-consumer-complaint/european-consumer-centres-network-ecc-net_en
-- Sweelinck
Consumer law does probably not apply to private sales!
Did you e.g. use some kind of marketplace platform that states that you agree with certain responsibilities of seller and buyer?
If not, and you didn't discuss what party took what risk, you knowinly took the risk and you're on your own now.
If I remember correctly some Meanwell type of converters allow parallel use. They have a kind of current sensing wire and compensation circuit. I believe there’s also an application note available on their website.
I noticed in the image below that the Doepfer monster case seems to have 1 independent power supply per quadrant, not per row.
https://doepfer.de/presse/A100PMS12_front.jpg
If you run into power or heat problems, you should probably check the total power load from the upper/left and of the upper/right modules first.
I noticed that there were some awesome stereo waveforms being generated by the ultrasound transducer's interactions with various body bits..
-- Lugia
Have a look at this:
https://www.eegsynth.org/?page_id=522
I suppose the disting attenuverter is entirely implemented in the software. The issue here is probably in the analog part of the module.
All inputs on the disting are analog meaning the input circuits see only analog signals even if it is a logic/digital signal you feed it with. The setup of the disting defines how the signals should be interpreted once they are digitised and ready to be further processed in the digital domain.
From my experience in electronic circuits design (a long time ago) I know that if you exceed the input specs, there’s all kinds of issues that could happen and could result in a digital representation of the input signal that is totally corrupted and seemingly uncorrelated to the input signal.
This needn’t be the case with the disting, so you could try using the internal attenuverter.
But I think it will prove you'll need the 321.
The 12V gates from the BSP are too hot for the disting (input range +-10V)? Have you tried attenuating them?
https://www.arturia.com/faq/beatsteppro/beatstep-pro-general-questions#collapse1
the 4th sentence (separated out for convenience) is the relevant one - but even looking at the controls it's kind of obvious that a single channel cannot do both attenuation and offset - only 1 knob, no switch
-- JimHowell1970
I agree
I bought this module myself last year in november or december. At that time, user documentation was very limited and hard to understand. The module was being discussed on the modwiggler forum though. IIRC build documentation was pretty good.
The current manual dates from february of this year.
im not talking about CV inputs, im talking about another Dome filter to accept a 2nd external signal to shift the frequency by, replacing the internal VCO, like the Buchla frequency shifters have. no Bode unit has implemented this feature afaik
-- moremagic
Freak Shift from Sketchy Labs has 2 Dome filters.
You could replace the grey front with a black version from Grayscale
https://www.modulargrid.net/e/grayscale-maths-v2-grayscale-black-panel
Hi everybody
I'm interested in having some of you experts here look over my rack design to make sure I've got what I need, that I'm not missing anything important, and if anyone has any gear suggestions/substitutions to improve my rack design (modules, flow, ...).
I see this rack as a sort of compliment/companion to my EP. It should replace my current midi keyboard/laptop/VST plugins combination, mainly to generate complex sounds, voices and simple sequences. The rack will be controlled from the EP over midi (or a from the midi controller keyboard).
Analog output from the rack to a Motu 624 where I can do some final processing and mixing. The Motu is also my interface with Ableton.
I deliberately choose to have no drum modules and no complex sequencers. In a later stage, I may consider processing the analog output from the EP. I don't intend to use it for live performances, but user comfort is important. In an earlier version of the rack I managed to squeeze in more functionalities but I disliked the result: unnatural signal flow, too much/too small knobs, ...
What I think I'm missing:
• some additional mixer at the right hand side
• some kind of basic control logic
What I think I may have too much:
• 1x Generate 3
• Maths (vs Quadrax/Samara)
• Batumi (vs Pam's/Quadrax)
The current rack design is not the ultimate end-point but I see it rather as a kind of a mid term objective, a more ore less self contained and consistent vision that guides me through a journey of exploration and learning. I'm fully aware that this will require me to make adjustments to this vision/rack as I progress.
Thanks for your feedback.
