I can not speak about your specific problem with the Rackbrute but i think it's a pretty common problem for hardware in general. I used to work with a Digital-Video-Tape-Machine (HDCamSR) from Sony wich is a realy expensive piece of technology (around 25k Euro). This thing was wobbling around when i we're pressing buttons or ejecting/loading tapes. A piece of beerfelt was the Bavarian solution to fix it. Some behringer stuff i own is wobbling and other Hardware too. I think the Problem are not the plastic feets underneath, Sometimes the housing ist not 100% straight/flat and quality controle is poor.


I think you meant 'populated' not 'polluted', but it gave me a laugh - seriously don't let that discourage you though - your English is OK - better than my German would be, at least without google translate!
-- JimHowell1970

Don't bother, i had a big laugh aswell when reading your comment. I try to keep my rack celan and tidy, not polluting it

Thanks for the input on the o_C

I checked a lot of modules, manuals, other racks here but i never had an closer look to the O_c.
This could really be a nice thing but i think i'm only understanding half of the available functions.
It's very multi-purpose but it looks more apealing than the disting, i really like the content on the screen.

I'm not 100% set but i think i'll give it a try.

N.B. the namesake of the module "Ornament & Verbrechen" is a really clever essay - to much ornament is poluting things

you mention what you are using for sequencing, but not the pico seq... I've got one - I use it for sequencing song parts on Sinfonion - and only for that - I find the lack of a dedicated reset button/jack a real pain... what are your thoughts about it?

cheers
Jim
-- JimHowell1970

the pico-seq was my first module with the pico-voice.
I use the random function quite a lot for pitch, but it's great for cv also.
The interface is a little bit fiddly but with some practice i'm doing well with dialing in some simple baselines.
For faster stuff, bleeps and bloinks i use the random, wich is very musical to my ears.
Sometimes i also miss a dedicated reset button, on the other side i'm really good in stopping a patch on the last note of the sequence. The seq is also great for me as a neewbie to figure stuff out (e.g. scales, wich C) and to jam away instantly within everythin in the rack. When i dont use it for pitch it's modulating stuff. Great module!

Thank you so far!


ModularGrid Rack

Hi everybody!

I started making music with modular a year ago.
Might be some kind of mid-life-crisis thing.
Used to be a teenager-dream when i saw Dieter Döpfer exhibting his cases and modules in a music-shop in Munich.
Now 20 years later, eurorack doesn't look so expensive/difficult/scarry anymore.

So i dipped my toe in!

I have a 19inch stage-case (6U) wich is housing 2 rows (82hp each) for eurorack-modules (PSU is a tipTop uZeus). The case is pretty sturdy, can be closed with a lit - wich is great for moving the rack around, jammin with a friend (maybe playing live some day). Not a beauty but a pretty budget friendly case (lots of material flying arround unused).
So it's supposed to be between a Studio-Tool and a live instrument.

I polluted the rack very slowly during the last year. As a long-time reader on this forum i tried to stick to some frequently mentioned tipps for starters.

  1. Don't get seduced by the "fancy" modules
  2. RTFM before you buy a module to ensure what a specific module can do (and what not)
  3. There should be a reasonable and usefull relation between the types of modules
    (sound sources < sound modifiers < modulation sources < utilities)
  4. Don't buy a huge bunch of modules once, go slow, enjoy the limitation, understand stuff and exhaust the functionalitys of things you allready got

I also tried to resist buying very much "pricy" modules, due to fact that i wasn't 100% shure if would enjoy eurorack on a longer term. So after a year of research, reading and fiddling with the view modules i own, i feel more convinced to go ahead with my rack. I tend to check the functionality of my rack by building pretty much the same in VCV to see what makes sense (and sounds good). With the last two modules i purchased (MATHS and 3xMIA) i got a lot more possibilitys to mix/combine modulation CV and fine tuning modulation CV. In generall, they helped me to understand stuff.

So far so good.

At this curtain point of my build, im a little bit helpless to reach for new Modules. I just don't know where to go. So i'm asking for some input, opinions and feedback. I have two modules on my urgent wishlist, wich are OCHD and VEILS. I think OCHD is great, kind of a "no regrets" or "tried and true" module. I start to realise the possibilty of automating stuff within a patch so i think more VCAs with mix could help for stuff like that (im not set to veils).

I dont mind diving into menues that much and i also have no problems with cheatsheets ;-)
But i also like "dedicated" modules.
As a broadcast engineer i have no problem with tiny buttons and technical stuff
I'm willing to break with my tipp 01 (fancy modules) ... wich i allready did with maths

I definetivly have some fx on my short-term wishlist (FX AID not available at the moment).
I really like distings stereo-fx but i want to explore other disting-algos and get a dedicate fx module on the long term
Meanwhile i have reactivated my old tc.electronic delay/verb ;-) to free the disting

I have some "fancy" stuff on my long-term wishlist wich is (in particular order): PNW, Mimeophon, Data-Bender, Wogglebug and maybe dozens more. But those wishes are pretty random - I want to get the basic stuff covered first

Last but not least ...

I sequencing stuff in change with a keystep, SQ-1, sometimes with 2 channels of my Elektron Model.Samples.
I record my stuff with an desktop mixer, monitoring and recording with focusrite scarlett. Like a lot of people arround i like to work without the computer, except mixing and mastering tracks. Right know i'm more focused on experimenting and kind of rehearsing live performance.

Musically wise i thing i would describe my musical outpout as kind of ambient, dubish, technoid stuff.
As a kid of the 90s, aged hip-hop-head and rap/poetry artist im also attracted by the relatviely knew genre called "mod-bap"
I'm not into generative but i wouldn't mind to build patches that are kind of selve-evolving developing over a certain period of time.

Right now i'm not into swapping modules since i like all of them.
There might be a bigger cab in the future - right know i try to fill the case

Greetings from Munich and thanks for taking time,

Max